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[null,"1.","Record Nr.",null,"UNINA990001877520403321"]
[null,null,"Autore",null,"Josa, Guglielmo"]
[null,null,"Titolo",null,"Se il verbasco possa essere utilizzato come pianta da sovescio / G. Josa"]
[null,null,"Pubbl/distr/stampa",null,"Roma : ..., 1899"]
[null,null,"Descrizione fisica",null,"11 p. ; 19 cm"]
[null,null,"Disciplina",null,"631.51"]
[null,null,"Locazione",null,"FAGBC"]
[null,null,"Collocazione",null,"60 MISC. C 14/1"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Estr. da: Eco dei campi e dei boschi"]
[null,"2.","Record Nr.",null,"UNINA9910463622803321"]
[null,null,"Autore",null,"Neroni Hilary"]
[null,null,"Titolo",null,"The Subject of Torture : Psychoanalysis and Biopolitics in Television and Film / / Hilary Neroni"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY : , : Columbia University Press, , [2015]"]
[{"$nulls":4},"©2015"]
[null,null,"Descrizione fisica",null,"1 online resource (201 p.)"]
[null,null,"Disciplina",null,"791.43"]
[{"$nulls":4},"791.436352"]
[null,null,"Soggetti",null,"Mass media"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Psychoanalysis and motion pictures"]
[{"$nulls":4},"Psychoanalysis and television"]
[{"$nulls":4},"Television"]
[{"$nulls":4},"Torture in mass media"]
[{"$nulls":4},"Torture in motion pictures"]
[{"$nulls":4},"Torture on television"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Acknowledgments -- Introduction: Confronting the Abu Ghraib Photographs -- 1. Torture, Biopower, and the Desiring Subject -- 2. The Nonsensical Smile of the Torturer in Post-9/11 Documentary Films -- 3. Torture Porn and the Desiring Subject in Hostel and Saw -- 4. 24, Jack Bauer, and the Torture Fantasy -- 5. The Biodetective Versus the Detective of the Real in Zero Dark Thirty and Homeland -- 6. Alias and the Fictional Alternative to Torture -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","Considering representations of torture in such television series as 24, Alias, and Homeland; the documentaries Taxi to the Dark Side (2007), Ghosts of Abu Ghraib (2007), and Standard Operating Procedure (2008); and \"torture porn\" feature films from the Saw and Hostel series, Hilary Neroni unites aesthetic and theoretical analysis to provide a unique portal into theorizing biopower and its relation to the desiring subject. Her work ultimately showcases film and television studies' "]
[{"$nulls":4},"singular ability to expose and potentially disable the fantasies that sustain torture and the regimes that deploy it."]