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[null,"1.","Record Nr.",null,"UNINA990001872820403321"]
[null,null,"Autore",null,"Ente di rinascita agraria per le Tre Venezie"]
[null,null,"Titolo",null,"Trasformazioni fondiarie nel 1928 / Ente di Rinascita Agraria per le Tre Venezie"]
[null,null,"Pubbl/distr/stampa",null,"Treviso : Arti Grafiche Longo e Zoppelli, 1929"]
[null,null,"Descrizione fisica",null,"70 p. ; 24 cm"]
[null,null,"Disciplina",null,"333.13"]
[null,null,"Locazione",null,"FAGBC"]
[null,null,"Collocazione",null,"60 MISC. B 156/21"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA996449440703316"]
[null,null,"Autore",null,"Park Johannes"]
[null,null,"Titolo",null,"Interfiguralität bei Phaedrus : ein fabelhafter Fall von Selbstinszenierung / / Johannes Park"]
[null,null,"Pubbl/distr/stampa",null,"Berlin/Boston, : De Gruyter, 2017"]
[{"$nulls":4},"Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"3-11-052859-2"]
[null,null,"Descrizione fisica",null,"1 online resource (258 pages) : illustrations"]
[null,null,"Collana",null,"Millennium-Studien = ; ; Band 66 Millennium Studies"]
[null,null,"Disciplina",null,"870.9001"]
[null,null,"Soggetti",null,"Latin literature - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Vorwort -- Inhalt -- 1. Einleitung -- 2. Methodische Vorüberlegungen – Interfiguralität -- 3. Phaedrus und Aesop – eine textchronologische Betrachtung -- 4. Aesop als Figur und Trickster – zwischen Selbstinszenierung und Gattungsreflexion -- 5. Esel, Bauern und Götter – weitere Fälle von Interfiguralität -- 6. Phaedrus und Horaz -- 7. Schlussbetrachtung -- 8. Literaturverzeichnis -- Stellenregister"]
[null,null,null,"Sommario/riassunto","Dass Phaedrus insbesondere in den Rahmengedichten seiner fabulae Aesopiae eine komplexe Poetik entwickelt, darf in der Forschung als etabliert gelten. Kaum berücksichtigt wurde bisher, welch zentrale Rolle die Figuren der Fabeln in Phaedrus’ Dichtungsprogramm und Selbstinszenierung spielen. So nutzt der Fabeldichter Figuren wie den Gattungsgründer Aesop, den Esel, den Hund, einen Bauern, aber auch Götter als Vehikel seiner Selbstdarstellung und weist ihre Ambivalenz als ein poetologisches Strategem aus: Indem sich Phaedrus durch diese Figuren als inkonsistenter Fabeldichter inszeniert, legt er Widersprüchlichkeit und Vielgestaltigkeit als zentrale Elemente seiner Poetik dar. Eine solche poetologische und selbstinszenatorische Dimension der Fabelakteure wird durch das Konzept der Interfiguralität erklärbar, mit dem sich komplexe Zusammenhänge zwischen Figuren und dem auktorialen Ich beschreiben lassen. In den textnahen Interpretationen zeigen sich zudem vielfältige Bezüge zu Horazens Werk und verdeutlichen, wie Phaedrus die Fabel als selbstständige Gattung in der nachaugusteischen Literaturlandschaft zu etablieren sucht."]
[{"$nulls":4},"In the prologues and epilogues to his Fables, Phaedrus – despite the low reputation of the genre – develops a complex if at times inconsistent poetics. The ambivalences and contradictory nature of his poetics are part of the fabulist’s self-presentation, whereby certain figures, such as Aesop the trickster, the donkey, and even divine figures such as Prometheus play central role."]
[null,"3.","Record Nr.",null,"UNINA9910972670503321"]
[null,null,"Autore",null,"Atkinson Paul <1962->"]
[null,null,"Titolo",null,"Computer / / Paul Atkinson"]
[null,null,"Pubbl/distr/stampa",null,"London, : Reaktion Books, 2010"]
[null,null,"ISBN",null,"9786613588784"]
[{"$nulls":4},"9781280493553"]
[{"$nulls":4},"1280493550"]
[{"$nulls":4},"9781861897374"]
[{"$nulls":4},"1861897375"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (258 p.)"]
[null,null,"Collana",null,"Objekt"]
[null,null,"Disciplina",null,"004.09"]
[null,null,"Soggetti",null,"Computers - History"]
[{"$nulls":4},"Computers - Social aspects"]
[{"$nulls":4},"Computer engineering - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Computer Cover; Imprint page; Contents; Introduction: Computer Histories; 1. Polar Positions; 2. Personal Matters; 3. Power Tools; 4. Futuristic Fantasies; References; Select Bibliography; Acknowledgements; Photo Acknowledgements; Index"]
[null,null,null,"Sommario/riassunto","The pixelated rectangle we spend most of our day staring at in silence is not the television as many long feared, but the computer-the ubiquitous portal of work and personal lives. At this point, the computer is almost so common we don't notice it in our view. It's difficult to envision that not that long ago it was a gigantic, room-sized structure only to be accessed by a few inspiring as much awe and respect as fear and mystery. Now that the machine has decreased in size and increased in popular use, the computer has become a prosaic appliance, little-more noted than a toa"]