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[null,"1.","Record Nr.",null,"UNINA990000965280403321"]
[null,null,"Autore",null,"Markovic, Mihailo"]
[null,null,"Titolo",null,"Praxis : Yugoslav Essays in the Philosophy and Methodology of the Social Sciences / Edited by Mihailo Markovic and Gajo Petrovic ; Translated by Joan Coddington, David Rougé and others"]
[null,null,"Pubbl/distr/stampa",null,"Dordrecht (NL) : Reidel, 1979"]
[null,null,"ISBN",null,"99-277-0727-8"]
[null,null,"Collana",null,"Boston studies in the philosophy of science ; 36"]
[null,null,"Disciplina",null,"501"]
[null,null,"Locazione",null,"FI1"]
[null,null,"Collocazione",null,"4-012.035"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","With the Cumulative Index to the International Edition of Praxis, 1965-1974."]
[null,"2.","Record Nr.",null,"UNINA9910418021903321"]
[null,null,"Autore",null,"André Danièle"]
[null,null,"Titolo",null,"L’Imaginaire du temps dans le fantastique et la science-fiction / / Natacha Vas-Deyres, Lauric Guillaud"]
[null,null,"Pubbl/distr/stampa",null,"Pessac, : Presses Universitaires de Bordeaux, 2020"]
[null,null,"ISBN",null,"979-1-03-000639-1"]
[null,null,"Descrizione fisica",null,"1 online resource (294 p.)"]
[null,null,"Soggetti",null,"Literature (General)"]
[{"$nulls":4},"fantastique"]
[{"$nulls":4},"mythe"]
[{"$nulls":4},"métaphysique"]
[{"$nulls":4},"temps"]
[{"$nulls":4},"science-fiction"]
[{"$nulls":4},"causalité"]
[{"$nulls":4},"machine"]
[{"$nulls":4},"uchronie"]
[{"$nulls":4},"temporalité"]
[{"$nulls":4},"relativité"]
[{"$nulls":4},"voyage temporel"]
[{"$nulls":4},"réversibilité"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Le Temps semble a priori irréversible et l’homme n’accepte que difficilement l’effondrement des possibilités de l’avenir dans la fixité du passé. La science s’est emparée de cette problématique puissante dès les années trente à partir de la théorie de la relativité généralisée d’Albert Einstein. Mais bien avant l’apparition de la physique quantique et d’hypothétiques déplacements dans le temps ou dans des mondes parallèles, les littératures de l’imaginaire que sont la science-fiction et le fantastique ont parcouru le temps. Cet imaginaire, exploré de façon complémentaire par le cinéma, est une machine à voyager virtuellement dans des histoires de temps.  La science-fiction expérimente le temps en tant que concept : elle le manipule en tout sens pour briser son "]
[{"$nulls":4},"irréversibilité et tenter d’agir sur des destinées collectives ou individuelles. La temporalité fantastique est marquée par une obsession anxiogène et toxique du temps passé. Le mythe puise ses racines dans un temps immémorial, cyclique. Symbole de la créativité des littératures et du cinéma de l’imaginaire, le temps est au coeur de l’individu, de sa subjectivité, de sa mémoire et de son rapport au monde physique."]
[null,"3.","Record Nr.",null,"UNINA9910645963803321"]
[null,null,"Autore",null,"Charters Samuel"]
[null,null,"Titolo",null,"A Language of Song : Journeys in the Musical World of the African Diaspora / / Samuel Charters, Ann duCille"]
[null,null,"Pubbl/distr/stampa",null,"2009"]
[{"$nulls":4},"[s.l.] : , : Duke University Press, , 2009"]
[null,null,"ISBN",null,"9781478090717"]
[{"$nulls":4},"1478090715"]
[null,null,"Descrizione fisica",null,"1 online resource (365 p.)"]
[null,null,"Classificazione",null,"MUS003000MUS015000"]
[null,null,"Disciplina",null,"780.89/96"]
[null,null,"Soggetti",null,"Music / Ethnomusicology"]
[{"$nulls":4},"Music / Genres & Styles / Blues"]
[{"$nulls":4},"Music"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- A Note -- 1 A Griot's Art The Story of Everything -- 2 Canaries-Canarios A New Music in an Old World -- 3 Go Down Chariot The Georgia Sea Islands and Fanny Kemble. The Slavery Spirituals, Lydia Parrish and Zora Neale Hurston -- 4 Skiffles, Tubs, and Washboards Good Time Music before the Blues -- 5 Red Clark's List New Orleans Street Jazz and the Eureka Brass Band in the 1950s -- 6 A Dance in Ragged Time \"Shake the World's Foundation with the Maple Leaf Rag!\" -- 7 Gal, You Got to Go Back to Bimini The Bahamas, Its Rhymers, and Joseph Spence -- 8 Pretenders, Caressers, Lions, and a Mighty Sparrow Trinidad's Sweet Calypso -- 9 It Be Like Thunder if a Man Live Close Nights in Trinidad's Pan Yards -- 10 Reggae Is a New Bag Kingston Streets, Kingston Nights -- 11 To Feel the Spirit Gospel Song in the Great Churches of Harlem -- 12 A Prince of Zydeco Louisiana's Zydeco Blues and Good Rockin' Dopsie -- 13 ¿Como se llama este ritmo? The Music of Cuba, Bebo Valdés, and the Buena Vista Social Club -- 14 Bahia Nights Carnival in Brazil's Black World -- Notes -- Bibliography -- Index -- About the Author"]
[null,null,null,"Sommario/riassunto","In A Language of Song, Samuel Charters-one of the pioneering collectors of African American music-writes of a trip to West Africa where he found \"a gathering of cultures and a continuing history that lay behind the flood of musical expression [he] encountered everywhere . . . from Brazil to Cuba, to Trinidad, to New Orleans, to the "]
[{"$nulls":4},"Bahamas, to dance halls of west Louisiana and the great churches of Harlem.\" In this book, Charters takes readers along to those and other places, including Jamaica and the Georgia Sea Islands, as he recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean. Each of the book's fourteen chapters is a vivid rendering of a particular location that Charters visited. While music is always his focus, the book is filled with details about individuals, history, landscape, and culture. In first-person narratives, Charters relates voyages including a trip to the St. Louis home of the legendary ragtime composer Scott Joplin and the journey to West Africa, where he met a man who performed an hours-long song about the Europeans' first colonial conquests in Gambia. Throughout the book, Charters traces the persistence of African musical culture despite slavery, as well as the influence of slaves' songs on subsequent musical forms. In evocative prose, he relates a lifetime of travel and research, listening to brass bands in New Orleans; investigating the emergence of reggae, ska, and rock-steady music in Jamaica's dancehalls; and exploring the history of Afro-Cuban music through the life of the jazz musician Bebo Valdés. A Language of Song is a unique expedition led by one of music's most observant and well-traveled explorers."]