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[null,"1.","Record Nr.",null,"UNINA990000079560403321"]
[null,null,"Autore",null,"Blaha, Emil"]
[null,null,"Titolo",null,"Le distribuzioni delle macchine a vapore / E. Blaha ; con note aggiunte di Giuseppe De Paoli"]
[null,null,"Pubbl/distr/stampa",null,"Torino : E. Loescher, 1887"]
[null,null,"Descrizione fisica",null,"2 v. (VII, 231 p.; 33 tav.) ; 23 cm"]
[null,null,"Disciplina",null,"621.18"]
[null,null,"Locazione",null,"FINBC"]
[null,null,"Collocazione",null,"13 AR 23 B 03"]
[{"$nulls":4},"13 M 05 01"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"1.: Testo 2.: Tavole"]
[null,"2.","Record Nr.",null,"UNINA990000771700403321"]
[null,null,"Autore",null,"Jonghi Lavarini, Giuseppe Maria"]
[null,null,"Titolo",null,"Il grande libro del camino / Giuseppe Maria Jonghi Lavarini, Franco Magnani"]
[null,null,"Pubbl/distr/stampa",null,"Milano : Di Baio Editore, c1988"]
[null,null,"Descrizione fisica",null,"181 p. : ill. ; 32 cm"]
[null,null,"Disciplina",null,"721"]
[null,null,"Locazione",null,"FARBC"]
[null,null,"Collocazione",null,"ARR C 88"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910776180203321"]
[null,null,"Autore",null,"Saner Fabian"]
[null,null,"Titolo",null,"Anthologisches Schreiben : Eine ästhetisch-politische Konstellation bei Hugo von Hofmannsthal, Walter Benjamin und Rudolf Borchardt / Fabian Saner"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn, : Brill | Fink, 2022"]
[null,null,"ISBN",null,"3-8467-6743-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Schöningh and Fink Literature and Culture Studies E-Books Online, Collection 2023"]
[null,null,"Disciplina",null,"800"]
[null,null,"Soggetti",null,"Literaturwissenschaft"]
[{"$nulls":4},"Klassische Moderne"]
[{"$nulls":4},"Ästhetik und Politik"]
[{"$nulls":4},"Literaturgeschichte"]
[{"$nulls":4},"Krisenreflexion"]
[{"$nulls":4},"brüchige Tradition"]
[{"$nulls":4},"Poetik"]
[{"$nulls":4},"literary studies"]
[{"$nulls":4},"modernity"]
[{"$nulls":4},"aesthetics and politics"]
[{"$nulls":4},"literary history"]
[{"$nulls":4},"reflection of crisis"]
[{"$nulls":4},"emphasis and crisis of tradition"]
[{"$nulls":4},"poetics"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material / Fabian Saner -- Copyright page / Fabian Saner -- Kapitel 1 Einleitung / Fabian Saner -- Kapitel 2 Kritik als Konstellation: Die Anthologien des George-Kreises und dessen Nachleben / Fabian Saner -- Kapitel 3 Hugo von Hofmannsthal / Fabian Saner -- Kapitel 4 (Un)Bestimmte Geschichte: Kritik der Repräsentation in Konzepten des Denkmals und die Folgen für das Anthologische Schreiben / Fabian Saner -- Kapitel 5 Walter Benjamin / Fabian Saner -- Kapitel 6 Rudolf Borchardt / Fabian Saner -- Kapitel 7 Bilanz / Fabian Saner -- Literaturverzeichnis / Fabian Saner -- Dank / Fabian Saner."]
[null,null,null,"Sommario/riassunto","„Anthologisches Schreiben“ untersucht, wie Hugo von Hofmannsthal, Walter Benjamin und Rudolf Borchardt ihre schriftstellerische Praxis als Traditionspolitik begreifen und modellieren. Die Analyse zeichnet die mind map bürgerlich-männlicher literarischer Intelligenz, ihrer Denkstile, Arbeitsweisen und Kommunikationsformen kritisch nach. Die Anthologie und das anthologische Schreiben werden dabei als widersprüchliches ästhetisches Modell gedeutet, das im Zuge der massiven Transformationen des 1. Weltkriegs intellektuelle Freiräume zugleich vor vermeintlichen Zumutungen des Politischen bewahrt und die Kehrseite dieser Freiräume befragt: Wie haben Hofmannsthal, Benjamin und Borchardt literaturhistorisch begründete Identitäten für ihr Hier und Jetzt eingesetzt und genutzt?"]