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[null,"1.","Record Nr.",null,"UNINA990000234080403321"]
[null,null,"Autore",null,"Olsen, Donald J."]
[null,null,"Titolo",null,"La città come opera d'arte : Londra - Parigi - Vienna / Donald J. Olsen"]
[null,null,"Pubbl/distr/stampa",null,"Milano : Serra e Riva, 1987"]
[null,null,"Descrizione fisica",null,"359 p. : ill. ; 29 cm"]
[null,null,"Locazione",null,"DARPU"]
[null,null,"Collocazione",null,"D 34 CAN"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910788114903321"]
[null,null,"Autore",null,"Holland-Batt Sarah <1982->"]
[null,null,"Titolo",null,"The hazards / / Sarah Holland-Batt"]
[null,null,"Pubbl/distr/stampa",null,"Saint Lucia, Brisbane, Queensland : , : University of Queensland Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"Descrizione fisica",null,"1 online resource (106 p.)"]
[null,null,"Collana",null,"UQP Poetry Series"]
[null,null,"Disciplina",null,"808.81/04"]
[null,null,"Soggetti",null,"Australian poetry"]
[{"$nulls":4},"Danger perception"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; Author biography; Also by Sarah Holland-Batt; Title page; Imprint page; Dedication; Contents; Epigraph; Part I; Medusa; This Landscape Before Me; The Orchid House; Tropic Rain; Botany; A Scrap of Lace; An Illustrated History of Settlement; The House on Stilts; Galah's Skull; Desert Pea; Approaching Paradise; Part II; The Vulture; Essay on the Toucan; The Capuchin; The Macaw; Life Cycle of the Eel; Orange-bellied Parrot; Green Ant Tarantella; Three Sketches of a Favourite Cat; Possum; Muttonbird; 41A Crab Tide; Part III; Of Germany; Late Hammershøi; Collioure/Love Poem"]
[{"$nulls":4},"Beauty is a Ticket of Admission to All SpectaclesIn the Mauerpark; Primavera: The Graces; Poem for My Father at Sanssouci; The Quattrocento as a Waltz; Interbellum; Rain, Ravello; Embouchure; Aubade; Against Ingres; Liebesträume; Umbrian Sketch; Reclining Nude; Goya's Dog; The Flowers on His Bedside Speak of Eternity; No End to Images; Part IV; Insurgency; Night Sonnet; Impressions of April; Morningside Spring; Mercado; Garden Apartment, Taube; 80Via dell'Amore; The Atlantic; O California; The Invention of Ether; Last Goodbyes in Havana; Postcard from Another Life; Ensign; The Hazards; Notes"]
[{"$nulls":4},"AcknowledgementsAlso by Sarah Holland-Batt; End ad for David Malouf - Earth Hour; End ad for Kathryn Lomer - Night Writing"]
[null,null,null,"Sommario/riassunto","Spanning poems written in the United States, Central America, Europe, and Australia, The Hazards is a dazzling and inventive collection. Opening with a vision of a leveret's agonizing death by myxomatosis "]
[{"$nulls":4},"and closing with a lover disappearing into dangerous waters, Holland-Batt reflects a predatory world rife with hazards, both real and imagined. Her cosmopolitan poems careen through diverse geographical territory-from haunted postcolonial landscapes in Australia to brutal animal hierarchies in the cloud forests of Nicaragua, the still Danish interiors of Hammershøi and the serial killer stalk"]