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[null,"1.","Record Nr.",null,"UNICASRML0234370"]
[null,null,"Autore",null,"CERBONE, Giuseppe"]
[null,null,"Titolo",null,"Elenco cronologico delle opere di computisteria e ragioneria : Venute alla luce in Italia dal 1202 sino al 1888 / Giuseppe Cerboni"]
[null,null,"Pubbl/distr/stampa",null,"Bari, : Cacucci, 1987"]
[null,null,"Edizione",null,"[4.a edizione]"]
[null,null,"Descrizione fisica",null,"ix,280 p. ; 24 cm."]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910132585203321"]
[null,null,"Autore",null,"Pourchez Laurence"]
[null,null,"Titolo",null,"Construction du regard anthropologique et nouvelles technologies : pour une anthropologie visuelle appliquee / / Laurence Pourchez"]
[null,null,"Pubbl/distr/stampa",null,"Chicoutimi : , : J.-M. Tremblay, , 2008"]
[null,null,"ISBN",null,"1-4123-6668-2"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Classiques des sciences sociales ; ; 3592"]
[null,null,"Disciplina",null,"301.01"]
[null,null,"Soggetti",null,"Anthropology - Methodology"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cette note de recherche pose le problème de la restitution de l'objet en anthropologie visuelle, de son utilisation par les populations filmées. Dans le numéro spécial de la revue L'Homme, consacré à l'anthropologie visuelle en 1972, Margaret Mead annonçait le temps où il serait possible de filmer en son synchrone, où le tournage d'un film ne constituerait plus une expédition périlleuse obligeant l'anthropologue à emmener avec lui plusieurs dizaines de kilos de matériel ... En quelques décennies, les conditions de tournage des anthropologues visuels ont radicalement changé, et la quantité de pellicules à emmener, les savants calculs techniques jadis nécessaires à la moindre prise de vue sont de l'ordre d'un passé qui semble bien lointain. Avec l'usage des micro caméras digitales, l'anthropologie visuelle apparaît sous un nouveau jour et il convient de s'interroger sur la place et la responsabilité de celui qui filme, sur l'usage qui peut être fait des montages vidéos comme interprétations de la culture de l'autre. mots clés : anthropologie visuelle - anthropologie appliquée - savoirs autochtones - restitution - muséographie."]
[{"$nulls":4},"Anthropology This research note explores the issue of the restitution of the object in visual anthropology, and how the people featured in ethnographic films avail themselves of the film-object. The use of very small digital cameras throws a new light on visual anthropology, prompting a reflection on the position and responsibility of the person filming, and on how videos may be used as interpretations of other cultures. Key words : Pourchez, visual anthropology, applied anthropology, native knowledge, restitution, museography."]
[{"$nulls":4},"Este comentario formula el problema de la restitución del objeto en antropología visual y de su utilización para las poblaciones filmadas. Con el uso de las mico-cámaras digitales, la antropología visual se presenta bajo un ángulo inédito y conviene interrogarse sobre el lugar y la responsabilidad de quien filma, sobre el uso que se puede hacer de los montajes videos como interpretaciones de la cultura del otro. Palabras clave : Pourchez, antropología visual, responsabilidad, objeto de investigación."]