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[null,"1.","Record Nr.",null,"UNICAMPANIASUN0045642"]
[null,null,"Autore",null,"Cerino Canova, Augusto"]
[null,null,"Titolo",null,"Le impugnazioni civili : struttura e funzione / Augusto Cerino-Canova"]
[null,null,"Pubbl/distr/stampa",null,"XII, 715 p. ; 25 cm"]
[null,null,"Edizione",null,"[Padova : CEDAM]"]
[null,null,"Descrizione fisica",null,"Fondo Raffaele Papa."]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISALENTO991000331949707536"]
[null,null,"Autore",null,"Fornasier, Jochen"]
[null,null,"Titolo",null,"Amazonen : frauen, kämpferinnen und städtegründerinnen / Jochen Fornasier"]
[null,null,"Pubbl/distr/stampa",null,"Mainz am Rhein : Von Zabern, 2007"]
[null,null,"ISBN",null,"9783805337847"]
[null,null,"Descrizione fisica",null,"119 p. : ill. ; 31 cm."]
[null,null,"Collana",null,"Zaberns Bildbände zur Archäologie"]
[{"$nulls":4},"Sonderbände der Antiken Welt"]
[null,null,"Soggetti",null,"Amazzoni"]
[{"$nulls":4},"Grecia Antichità"]
[{"$nulls":4},"Turchia Antichità"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Contiene bibliografia: pp. 117-118"]
[null,"3.","Record Nr.",null,"UNINA9910810709403321"]
[null,null,"Autore",null,"Chang Natasha V. <1971->"]
[null,null,"Titolo",null,"The crisis-woman : body politics and the modern woman in fascist Italy / / Natasha V. Chang"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, New York ; ; London, [England] : , : University of Toronto Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"1-4426-2120-6"]
[{"$nulls":4},"1-4426-2119-2"]
[null,null,"Descrizione fisica",null,"1 online resource (177 p.)"]
[null,null,"Collana",null,"Toronto Italian Studies"]
[null,null,"Disciplina",null,"305.42094509/043"]
[null,null,"Soggetti",null,"Fascism and women - Italy - History - 20th century"]
[{"$nulls":4},"Women in popular culture - Italy - History - 20th century"]
[{"$nulls":4},"Women - Italy - Social conditions - 20th century"]
[{"$nulls":4},"Fascism - Italy - History - 20th century"]
[{"$nulls":4},"Italy Social conditions 1918-1945"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Who Is the Crisis-Woman? -- 1. The Donna-crisi and the Fashion World: From Revolution to Regulatory Ideal -- 2. Scientific Discourse and the Making of the Donna-crisi -- 3. Esci fuori, mattacchiona!: Satirical Representations of the Donna-crisi -- 4. Ideologies and Economies of Crisis -- Conclusion: The Decline of the Donna-crisi -- Appendixes: Lyrics and Captions -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Femininity in the form of the donna-crisi, or “crisis-woman,” was a fixture of fascist propaganda in the early 1930s. A uniquely Italian representation of the modern woman, she was cosmopolitan, dangerously thin, and childless, the antithesis of the fascist feminine ideal – the flashpoint for a range of anxieties that included everything from the changing social roles of urban women to the slippage of stable racial boundaries between the Italian nation and its colonies.Using a rich assortment of scientific, medical, and popular literature, Natasha V. Chang’s The Crisis-Woman examines the donna-crisi’s position within the gendered body politics of fascist Italy. Challenging analyses of the era which treat modern and transgressive women as "]
[{"$nulls":4},"points of resistance to fascist power, Chang argues that the crisis-woman was an object of negativity within a gendered narrative of fascist modernity that pitted a sterile and decadent modernity against a healthy and fertile fascist one."]