LEADER 01253cam1 22002531 450 001 SOBE00058248 005 20180212154022.0 100 $a20180212f0000 |||||ita|0103 ba 101 $alat$afre 102 $aBE 200 1 $aAvicenna Latinus$fédition critique publiée sous le patronage de l'Union Académique internationale par S. Van Riet, avec la collaboration de M. Cl. Lambrechts 210 $aLouvain$aLa Neuve$cPeeters$aLeiden$cBrill 215 $avolumi$d25 cm 463 1$1001E600200043967$12000 $aLiber de anima, seu Sextus de Naturalibus / Avicenna ; édition critique de la traduction latine medievale par S. van Riet ; introduction sur la doctrine psychologique d'Avicenne par G. Verbeke 463 1$1001SOBE00058246$12000 $aLiber de philosophia prima, sive Scientia divina / Avicenna ; édition critique de la traduction latine medievale par S. van Riet ; introduction doctrinale par G. 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The presentation style is compact and example-based, making it suitable for students and researchers with little or no prior experience in programming. The book uses relevant examples from mathematics and the natural sciences to present programming as a practical toolbox that can quickly enable readers to write their own programs for data processing and mathematical modeling. These tools include file reading, plotting, simple text analysis, and using NumPy for numerical computations, which are fundamental building blocks of all programs in data science and computational science. At the same time, readers are introduced to the fundamental concepts of programming, including variables, functions, loops, classes, and object-oriented programming. Accordingly, the book provides a sound basis for further computer science and programming studies. 410 0$aSimula SpringerBriefs on Computing,$x2512-1677 ;$v6 606 $aComputer science$xMathematics 606 $aComputer software 606 $aComputer programming 606 $aSoftware engineering 606 $aComputer science?Mathematics 606 $aComputational Science and Engineering$3https://scigraph.springernature.com/ontologies/product-market-codes/M14026 606 $aProfessional Computing$3https://scigraph.springernature.com/ontologies/product-market-codes/I29000 606 $aProgramming Techniques$3https://scigraph.springernature.com/ontologies/product-market-codes/I14010 606 $aSoftware Engineering/Programming and Operating Systems$3https://scigraph.springernature.com/ontologies/product-market-codes/I14002 606 $aMathematics of Computing$3https://scigraph.springernature.com/ontologies/product-market-codes/I17001 615 0$aComputer science$xMathematics. 615 0$aComputer software. 615 0$aComputer programming. 615 0$aSoftware engineering. 615 0$aComputer science?Mathematics. 615 14$aComputational Science and Engineering. 615 24$aProfessional Computing. 615 24$aProgramming Techniques. 615 24$aSoftware Engineering/Programming and Operating Systems. 615 24$aMathematics of Computing. 676 $a004 686 $aCOM000000$aCOM014000$aCOM018000$aCOM051000$aCOM051230$2bisacsh 700 $aSundnes$b Joakim$4aut$4http://id.loc.gov/vocabulary/relators/aut$0738425 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910409836203321 996 $aIntroduction to Scientific Programming with Python$91886620 997 $aUNINA LEADER 02733nam 22004695 450 001 996659455103316 005 20250423095240.0 010 $a9781399537551 010 $a1399537555 035 $a(CKB)37926234300041 035 $a(DE-B1597)717089 035 $a(DE-B1597)9781399537551 035 $a(EXLCZ)9937926234300041 100 $a20250423h20252025 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIslamic Themes in US Hip-Hop Culture /$fAnders Ackfeldt 205 $a1st ed. 210 1$aEdinburgh : $cEdinburgh University Press, $d[2025] 210 4$d2025 215 $a1 online resource (216 p.) $c8 black and white illustrations, 9 colour illustrations 225 0 $aMusic and Performance in Muslim Contexts 311 08$a9781399537537 311 08$a1399537539 327 $tFrontmatter -- $tCONTENTS -- $tFigures -- $tAcknowledgements -- $t1 Introduction Signs, Symbols and Artefacts -- $t2 The Study of Religion and Hip-Hop -- $t3 Islam in African American Music-Making -- $t4 From Planet Rock to Indigoism -- $t5 Paid in Full: The Serendipity of Islamic Semiotics in Hip-Hop -- $t6 Sights and Sounds of Malcolm X in US Hip-Hop -- $t7 America Under Attack! Depicting 9/11 in Hip-Hop -- $t8 Conclusion The Semiotics of Islam, Creativity and Blurred Lines -- $tBibliography -- $tINDEX 330 $aIslam has been a part of hip-hop culture since it sprang from New York?s street culture in the 1970s. Today hip-hop has evolved into a truly global artform with a diversity of Muslim Islamic discourses expressed. Using tools from the field of social semiotics, this book examines how Islamic themes feature in US hip-hop culture, maintaining a particular awareness that both Muslims as well as non-Muslims participate in their production. The book also argues that there is a historical continuity in the use of Islamic semiotic resources in US musical culture that runs through the entirety of the 20th century and can be observed in gospel, blues and jazz. It is also often connected to African American religious initiatives and African American empowerment politics. 606 $aHip-hop$xHistory and criticism 606 $aIslam$xIn popular culture 606 $aMUSIC / Ethnomusicology$2bisacsh 615 0$aHip-hop$xHistory and criticism. 615 0$aIslam$xIn popular culture. 615 7$aMUSIC / Ethnomusicology. 700 $aAckfeldt$b Anders$4aut$4http://id.loc.gov/vocabulary/relators/aut$01817752 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996659455103316 996 $aIslamic Themes in US Hip-Hop Culture$94375887 997 $aUNISA