LEADER 01139cam0 22003011 450 001 SOBE00035627 005 20130723085749.0 100 $a20130723d1966 |||||ita|0103 ba 101 $afre$agrc 102 $aFR 200 1 $a<>Virginité$fJean Chrysostome$gtexte et introduction critiques par Herbert Musurillo$gintroduction générale, traduction et notes par Bernard Grillet 210 $aParis$cLes éditions du CERF$d1966 215 $a415 p.$d20 cm 225 2 $aSources chrétiennes$v125 300 $aTesto orig. a fronte 410 1$1001LAEC00014980$12001 $a*Sources chrétiennes$v125 700 0$aIoannes : Chrysostomus $3AF00006984$4070$0473378 702 1$aMusurillo, Herbert$3SOBA00007901$4070 702 1$aGRILLET, Bernard$3AF00018253$4070 801 0$aIT$bUNISOB$c20130723$gRICA 850 $aUNISOB 852 $aUNISOB$j200|Coll|11|K$m44977 912 $aSOBE00035627 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a200|Coll|11|K$b000125$gSI$d44977$racquisto$1bethb$2UNISOB$3UNISOB$420130723085753.0$520130723085822.0$6bethb 996 $aVirginité$9941374 997 $aUNISOB LEADER 02320nam 2200445 450 001 9910810651403321 005 20230807203340.0 010 $a90-04-40420-1 024 7 $a10.1163/9781848883888 035 $a(CKB)4920000000126702 035 $a(OCoLC)1096238919 035 $a(nllekb)BRILL9789004404205 035 $a(MiAaPQ)EBC6208952 035 $a(EXLCZ)994920000000126702 100 $a20200826d2015 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aAll the world's a stage $etheorizing and producing blended identities in a cybercultural world /$fedited by Sabine Baumann and Monica Flegel 210 1$aOxford, England :$cInter-Disciplinary Press,$d[2015] 210 4$d©2015 215 $a1 online resource 225 0 $aCritical Issues 311 $a90-04-37070-6 320 $aIncludes bibliographical references and index. 330 $aAll the World?s a Stage: Theorizing and Producing Blended Identities in a Cybercultural World explores the extent to which cyber and ?real? selves increasingly overlap, intersect, and entwine. As the quotation from Shakespeare indicates, the question of the roles we play in society and their relation to our self is not new; however, the rise of cyberculture has further complicated the relationship between our sense of self and our social roles, because it provides more opportunities to adopt new or changed identities. Some contributors to this volume welcome the complexities of the self that cyberculture has engendered, and explore changes in morality, community, and identity. Others acknowledge the negative effects of such performative identities, questioning what we lose by constructing ourselves so constantly in response to a virtual audience. Nevertheless, cyberculture is now ?real? culture, and coming to terms with who we are online increasingly determines who we are altogether. 606 $aLife change events 615 0$aLife change events. 676 $a155.24 702 $aFlegel$b Monica 702 $aBaumann$b Sabine 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810651403321 996 $aAll the world's a stage$94061010 997 $aUNINA