LEADER 00940cam2 22002411 450 001 SOBE00017847 005 20110921113923.0 100 $a20110920g00009999|||||ita|0103 ba 101 $ager 102 $aDE 200 1 $a<<13: >>Leben Schleiermachers$eerster Band$fWilhelm Dilthey$gherausgegeben von Martin Redeker 210 $AGöttingen$cVandenhoeck und Ruprecht 215 $av.$d25 cm 461 1$1001E600200057074$12001 $aGesammelte Schriften / Wilhelm Dilthey ; von Band 18. an besorgt von Karlfried Gründer und Frithjof Rodi xxxxxx 463 1$1001SOBE00017849$12000 $a<<1: >>(1768-1802) / Wilhelm Dilthey ; herausgegeben von Martin Redeker 700 1$aDilthey$b, Wilhelm$3AF00004018$4070$033995 702 1$aRedeker, Martin$3SOBA00000970$4070 801 0$aIT$bUNISOB$c20110921$gRICA 912 $aSOBE00017847 940 $aM 102 Monografia moderna SBN 941 $aM 996 $aLeben Schleiermachers$936878 997 $aUNISOB LEADER 01248nam0 22003371i 450 001 UON00091336 005 20231205102511.604 100 $a20020107d1978 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| 1|||| 200 1 $aRegio Museo di Torino$eMonete greche$fA. Fabretti, F. Rossi, R.V. Lanzone 205 $aRoma : Forni$b1978 210 $axv$d644 p., 2 c. di tav. ; 28 cm 215 $aRistampa dell'ed. di Torino, 1883 606 $aMONETE GRECHE$xRACCOLTE$xITALIA$3UONC027950$2FI 606 $aMUSEI$xTorino$xCataloghi$3UONC027951$2FI 620 $aIT$dRoma$3UONL000004 676 $a737.4$cMonete$v21 686 $aJ$cNUMISMATICA$2A 702 1$aFABRETTI$bAriodante$3UONV058026 702 1$aLANZONE$bR. V.$3UONV058763 702 1$aROSSI$bF.$3UONV058762 710 02$aREGIO MUSEO$cTorino$3UONV058761$0663284 712 $aForni$3UONV248326$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00091336 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI J 166 MG $eSI MC 18940 5 996 $aRegio Museo di Torino$91302350 997 $aUNIOR LEADER 04104nam 2200721 a 450 001 9910963975203321 005 20200520144314.0 010 $a9786611125646 010 $a9781281125644 010 $a1281125644 010 $a9780226259857 010 $a0226259854 024 7 $a10.7208/9780226259857 035 $a(CKB)1000000000405457 035 $a(EBL)408409 035 $a(OCoLC)437248176 035 $a(SSID)ssj0000222995 035 $a(PQKBManifestationID)11208646 035 $a(PQKBTitleCode)TC0000222995 035 $a(PQKBWorkID)10176958 035 $a(PQKB)10869180 035 $a(MiAaPQ)EBC408409 035 $a(DE-B1597)535596 035 $a(OCoLC)1055286139 035 $a(DE-B1597)9780226259857 035 $a(Au-PeEL)EBL408409 035 $a(CaPaEBR)ebr10209945 035 $a(CaONFJC)MIL112564 035 $a(Perlego)1972191 035 $a(EXLCZ)991000000000405457 100 $a19980514d1998 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aPoems and selected letters /$fVeronica Franco ; edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal 205 $a1st ed. 210 $aChicago $cUniversity of Chicago Press$d1998 215 $a1 online resource (328 p.) 225 1 $aOther voice in early modern Europe 300 $aDescription based upon print version of record. 311 0 $a9780226259871 311 0 $a0226259870 311 0 $a9780226259864 311 0 $a0226259862 320 $aIncludes bibliographical references (p. 285-293) and index. 327 $tFront matter --$tCONTENTS --$tTHE OTHER VOICE IN EARLY MODERN EUROPE INTRODUCTION TO THE SERIES --$tINTRODUCTION: THE HONORED COURTESAN --$tVERONICA FRANCO, FAMILIAR LETTERS TO CARIOUS PEOPLE (1580) --$tVERONICA FRANCO, POEMS IN TERZA RIMA (1575) --$tBIBLIOGRAPHY --$tINDEX 330 $aVeronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology. As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers-merchants, ambassadors, even kings-who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life. Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today. 410 0$aOther voice in early modern Europe. 606 $aAuthors, Italian$y16th century 615 0$aAuthors, Italian 676 $a851/.4 700 $aFranco$b Veronica$f1546-1591.$0202673 701 $aJones$b Ann Rosalind$01813367 701 $aRosenthal$b Margaret F$01813368 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963975203321 996 $aPoems and selected letters$94366435 997 $aUNINA