LEADER 01329cam0 22003013 450 001 SOB016784 005 20210525084417.0 010 $a8834812883 100 $a20040211d2001 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $aBioetica e diritti dell'uomo nella prospettiva del diritto internazionale e comunitario$fAdriano Bompiani, Adriana Loreti Beghé, Luca Marini 210 $aTorino$cGiappichelli$d2001 215 $a268 p.$d24 cm 225 2 $aCollana della Facoltà di Giurisprudenza$fLUMSA$hSezione Ricerca$v7 410 1$1001LAEC00018113$12001 $a*Collana della Facoltà di Giurisprudenza / LUMSA. Sezione Ricerca$v7 700 1$aBompiani$b, Adriano$3AF00011047$4070$0238268 702 1$aLoreti Beghé, Adriana$3AF00021469$4070 702 1$aMarini, Luca$3AF00006341$4070 801 0$aIT$bUNISOB$c20210525$gRICA 850 $aUNISOB 852 $aUNISOB$jFondo|Cofin$m109955 912 $aSOB016784 940 $aM 102 Monografia moderna SBN 941 $aM 957 $aFondo|Cofin$b000433$gSI$d109955$hCofin$rACQUISTO$1menle$2UNISOB$3UNISOB$420200717114231.0$520210525084417.0$6Spinosa$fPer le modalità di consultazione vedi homepage della Biblioteca link Fondi 996 $aBioetica e diritti dell'uomo nella prospettiva del diritto internazionale e comunitario$91675836 997 $aUNISOB LEADER 02781nam 22006015 450 001 9910255073503321 005 20240627161623.0 010 $a9783319663739 010 $a3319663739 024 7 $a10.1007/978-3-319-66373-9 035 $a(CKB)4100000001040346 035 $a(DE-He213)978-3-319-66373-9 035 $a(MiAaPQ)EBC5132437 035 $a(Perlego)3496883 035 $a(EXLCZ)994100000001040346 100 $a20171108d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJapanese Cinema Between Frames /$fby Laura Lee 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (VIII, 177 p. 40 illus., 16 illus. in color.) 311 08$a9783319663722 311 08$a3319663720 320 $aIncludes bibliographical references and index. 330 $aThis book explores the rich complexity of Japan's film history by tracing how cinema has been continually reshaped through its dynamic engagement within a shifting media ecology. Focusing on techniques that draw attention to the interval between frames on the filmstrip, something that is generally obscured in narrative film, Lee uncovers a chief mechanism by which, from its earliest period, the medium has capitalized on its materiality to instantiate its contemporaneity. In doing so, cinema has bound itself tightly with adjacent visual forms such as anime and manga to redefine itself across its history of interaction with new media, including television, video, and digital formats. Japanese Cinema Between Frames is a bold examination of Japanese film aesthetics that reframes the nation's cinema history, illuminating processes that have both contributed to the unique texture of Japanese films and yoked the nation's cinema to the global sphere of film history. 606 $aMotion pictures$zAsia 606 $aEthnology$zAsia 606 $aCulture 606 $aMotion pictures 606 $aAsian Film and TV 606 $aAsian Culture 606 $aFilm Theory 606 $aGlobal Film and TV 606 $aClose Readings in Film and TV 615 0$aMotion pictures 615 0$aEthnology 615 0$aCulture. 615 0$aMotion pictures. 615 14$aAsian Film and TV. 615 24$aAsian Culture. 615 24$aFilm Theory. 615 24$aGlobal Film and TV. 615 24$aClose Readings in Film and TV. 676 $a791.43095 700 $aLee$b Laura$4aut$4http://id.loc.gov/vocabulary/relators/aut$0874316 906 $aBOOK 912 $a9910255073503321 996 $aJapanese Cinema Between Frames$92499971 997 $aUNINA