LEADER 02993nam 2200601Ia 450 001 9910450811803321 005 20200520144314.0 010 $a1-58729-402-8 035 $a(CKB)1000000000447493 035 $a(EBL)837071 035 $a(OCoLC)56109520 035 $a(SSID)ssj0000234532 035 $a(PQKBManifestationID)11202185 035 $a(PQKBTitleCode)TC0000234532 035 $a(PQKBWorkID)10254363 035 $a(PQKB)10960501 035 $a(MiAaPQ)EBC837071 035 $a(MdBmJHUP)muse12504 035 $a(Au-PeEL)EBL837071 035 $a(CaPaEBR)ebr10354671 035 $a(EXLCZ)991000000000447493 100 $a20010523d2001 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReflecting the audience$b[electronic resource] $eLondon theatregoing, 1840-1880 /$fJim Davis & Victor Emeljanow 210 $aIowa City $cUniversity of Iowa Press$dc2001 215 $a1 online resource (317 p.) 225 1 $aStudies in theatre history & culture 300 $aDescription based upon print version of record. 311 $a0-87745-781-6 320 $aIncludes bibliographical references (p. [279]-288) and index. 327 $aAcknowledgments; Introduction; Part One. The Surrey-Siders; 1. The Surrey and the Victoria Theatres; Part Two. Orientalism and Social Condescension; 2. The Pavilion Theatre, Whitechapel; 3. The Britannia Theatre; Part Three. Myth and Nineteenth-Century Theatre Audiences; 4. Sadler's Wells Theatre; 5. The Queen's/Prince of Wales's Theatre; Part Four.""Theatric Tourists"" and the West End; 6. The West End; 7. A National Drama:A National Theatre and the Case of Drury Lane; Conclusion; Notes; Bibliography; Index 330 $aThis innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: 410 0$aStudies in theatre history and culture. 606 $aTheater$zEngland$zLondon$xHistory$y19th century 606 $aTheater audiences$zEngland$zLondon$xHistory$y19th century 608 $aElectronic books. 615 0$aTheater$xHistory 615 0$aTheater audiences$xHistory 676 $a792.0942109034 676 $a792/.09421/09034 700 $aDavis$b Jim$f1949-$0973763 701 $aEmeljanow$b Victor$0973764 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450811803321 996 $aReflecting the audience$92215994 997 $aUNINA LEADER 01080cam2 22003133 450 001 SOB004998 005 20230529083445.0 100 $a20040211d1999 |||||ita|0103 ba 101 $ager 102 $aDE 200 1 $a<<50$e[ >>Reineke Fuchs$aHermann und Dorothea$aAchilleis$aPandora]$fJohann Wolfgang Goethe 205 $aWeimarer Ausgabe 210 $aWeimar$cVerlag Hermann Böhlaus Nachfolger$d1999 215 $a460 p.$d18 cm. 300 $aRipr. facs. dell'edizione: Weimar 1900 461 1$1001E600200059924$12000 $a[I. Abtheilung] 700 1$aGoethe$b, Johann Wolfgang : von$3AF00017461$4070$0151776 801 0$aIT$bUNISOB$c20230529$gRICA 850 $aUNISOB 852 $aUNISOB$j830|Coll|12|K$m105636 912 $aSOB004998 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a830|Coll|12|K$b000058$gSi$d105636$racquisto$1beth$2UNISOB$3UNISOB$420100215100544.0$520120604110813.0$6carrano 996 $aAchilleis$9536560 996 $aHermann und Dorothea$921794 996 $aPandora$91730683 996 $a50$91730410 997 $aUNISOB LEADER 00882nam a2200241 i 4500 001 991003611699707536 005 20020503201608.0 008 950426s1918 it ||| | ita 035 $ab10531397-39ule_inst 035 $aEXGIL123916$9ExL 040 $aBiblioteca Interfacoltà$bita 100 1 $aCostagliola, Aniello$0220086 245 10$aNapoli che se ne va :$bil teatro, la canzone /$cAniello Costagliola 260 $aNapoli :$bGiannini,$c1918 300 $a415 p. ;$c22 x 30 cm. 500 $aEsemplare in fotocopia. 650 4$aNapoli$xVita artistica e culturale 907 $a.b10531397$b02-04-14$c27-06-02 912 $a991003611699707536 945 $aLE002 Fotoc. 106$g1$iLE002-12740N$lle002$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i10610455$z27-06-02 996 $aNapoli che se ne va$9217449 997 $aUNISALENTO 998 $ale002$b01-01-95$cm$da $e-$fita$git $h0$i1