LEADER 00965cam0 2200277 450 001 E600200021576 005 20210518110549.0 100 $a20061013d1984 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $aReligione e scuola$fAnna Maria Marenco$gMarcello Vigli 210 $aFirenze$cLa Nuova Italia$d1984 215 $a151 p.$d21 cm 225 2 $aEducatori antichi e moderni$v375 410 1$1001LAEC00015153$12001 $a*Educatori antichi e moderni$v375 700 1$aMarenco$b, Anna Maria$3A600200038334$4070$0170153 702 1$aVigli, Marcello$3A600200038335$4070 801 0$aIT$bUNISOB$c20210518$gRICA 850 $aUNISOB 852 $aUNISOB$j370|Coll|12|K$m72511 912 $aE600200021576 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a370|Coll|12|K$b000100$gSi$d72511$racquisto$1pregresso2$2UNISOB$3UNISOB$420061013091041.0$520190620121204.0$6Spinosa 996 $aReligione e scuola$91691731 997 $aUNISOB LEADER 03008nam 2200601 450 001 9910787039403321 005 20200520144314.0 010 $a0-253-01459-X 035 $a(CKB)3710000000250618 035 $a(EBL)1809824 035 $a(SSID)ssj0001347414 035 $a(PQKBManifestationID)12586694 035 $a(PQKBTitleCode)TC0001347414 035 $a(PQKBWorkID)11369173 035 $a(PQKB)10611858 035 $a(OCoLC)892430047 035 $a(MdBmJHUP)muse41847 035 $a(Au-PeEL)EBL1809824 035 $a(CaPaEBR)ebr10947169 035 $a(OCoLC)892798983 035 $a(MiAaPQ)EBC1809824 035 $a(EXLCZ)993710000000250618 100 $a20141008h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEpic sound $emusic in postwar Hollywood biblical films /$fStephen C. Meyer 210 1$aBloomington, Indiana :$cIndiana University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (288 p.) 300 $aDescription based upon print version of record. 311 $a0-253-01451-4 311 $a0-253-01443-3 320 $aIncludes bibliographical references and index. 327 $aA biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklo?s Ro?zsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told. 330 $aLavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adept 606 $aMotion picture music$xHistory and criticism 606 $aBible films$zUnited States 606 $aFilm composers 615 0$aMotion picture music$xHistory and criticism. 615 0$aBible films 615 0$aFilm composers. 676 $a781.5/420973 700 $aMeyer$b Stephen C.$f1963-$01487375 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787039403321 996 $aEpic sound$93707177 997 $aUNINA