LEADER 00907cam0 2200253 450 001 E600200018616 005 20200407072224.0 010 $a185919012X 100 $a20060606d1996 |||||ita|0103 ba 101 $aeng 102 $aGB 200 1 $aCinema$ethe beginnings and the future$e essays marking the centenary of the first film show projected to a paying audience in Britain$fed. Christopher Williams 210 $aLondon$cUniversity of Westminster Press$d1996 215 $a263 p.$cill.$d25 cm 702 1$aWilliams, Christopher$3A600200036585$4070 801 0$aIT$bUNISOB$c20200407$gRICA 850 $aUNISOB 852 $aUNISOB$j791.43$m130470 912 $aE600200018616 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a791.43$b000820$gSi$d130470$racquisto$1diguida$2UNISOB$3UNISOB$420060606132326.0$520200407072142.0$6Spinosa 996 $aCinema$9104643 997 $aUNISOB LEADER 03001nam 22006252 450 001 9910291731303321 005 20230621140722.0 010 $a90-485-2831-3 024 7 $a10.1515/9789048528318 035 $a(CKB)4100000006994994 035 $a(MiAaPQ)EBC5521580 035 $a(OCoLC)1178720791 035 $a(MdBmJHUP)muse76624 035 $a(DE-B1597)513249 035 $a(OCoLC)1054911005 035 $a(DE-B1597)9789048528318 035 $a(UkCbUP)CR9789048528318 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/27216 035 $a(EXLCZ)994100000006994994 100 $a20201119d2018|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProductive fandom $eintermediality and affective reception in fan cultures /$fNicolle Lamerichs$b[electronic resource] 210 $cAmsterdam University Press$d2018 210 1$aAmsterdam :$cAmsterdam University Press,$d2018. 215 $a1 online resource (244 pages) $cdigital, PDF file(s) 225 1 $aTransmedia : participatory culture and media convergence 300 $aTitle from publisher's bibliographic system (viewed on 14 Dec 2020). 311 $a90-8964-938-7 320 $aIncludes bibliographical references and index. 327 $aShared narratives: intermediality in fandom -- Fan membership: traditional and digital fieldwork -- Naturalizing Sherlock: Dutch fans interpret the famous detective -- Queer teen drama: rewriting and narrative closure in Glee fan fiction -- Transmedia play: approaching the possible worlds of Firefly -- Embodied characters: the affective process of cosplay -- Conclusion: prospects for fan studies. 330 $aTo dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other popular television-based franchises, the author appeals to fans and scholars alike in her empirically grounded methodology and insightful analysis of production hierarchies, gender, sexuality, play, and affect. 410 0$aTransmedia (Amsterdam, Netherlands) 606 $aTelevision viewers$xSocial aspects 606 $aFans (Persons)$xSocial aspects 606 $aTelevision programs$xSocial aspects 610 $aFandom 610 $ainter/transmediality 610 $amedia ethnography 610 $aaffect 610 $asubcultures 615 0$aTelevision viewers$xSocial aspects. 615 0$aFans (Persons)$xSocial aspects. 615 0$aTelevision programs$xSocial aspects. 676 $a302.23/45 700 $aLamerichs$b Nicolle$0960522 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910291731303321 996 $aProductive fandom$92177474 997 $aUNINA