LEADER 01067cam0 2200289 450 001 E600200013443 005 20201119105757.0 100 $a20051020d1981 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $a<>Caratteri$fJean de La Bruyère$gintroduzione Gian Carlo Roscioni$gtrad. e note di Eva Timbaldi Abruzzese 210 $aTorino$cEinaudi$d1981 215 $aXXIII,368 p.$d18 cm 225 2 $aNuova universale Einaudi$v176 410 1$1001LAEC00015860$12001 $a*Nuova universale Einaudi$v176 700 1$aLa_Bruyere$b, Jean : de$3A600200027289$4070$0445903 702 1$aRoscioni, Gian Carlo$3AF00005234$4070 702 1$aTimbaldi Abruzzese, Eva$3A600200032906$4070 801 0$aIT$bUNISOB$c20201119$gRICA 850 $aUNISOB 852 $aUNISOB$j000|Coll|37|K$m62039 912 $aE600200013443 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a000|Coll|37|K$b000114$gSi$d62039$rAcquisto$1pregresso3$2UNISOB$3UNISOB$420051020070846.0$520201119105748.0$6Spinosa 996 $aCaratteri$91474515 997 $aUNISOB LEADER 04579oam 2200685I 450 001 9910829047403321 005 20230725033435.0 010 $a1-136-63360-X 010 $a1-280-68340-6 010 $a9786613660343 010 $a0-203-80341-8 010 $a1-136-63361-8 024 7 $a10.4324/9780203803417 035 $a(CKB)2670000000203552 035 $a(EBL)716513 035 $a(OCoLC)804663995 035 $a(SSID)ssj0000690659 035 $a(PQKBManifestationID)11400577 035 $a(PQKBTitleCode)TC0000690659 035 $a(PQKBWorkID)10628366 035 $a(PQKB)11500449 035 $a(MiAaPQ)EBC716513 035 $a(Au-PeEL)EBL716513 035 $a(CaPaEBR)ebr10570391 035 $a(CaONFJC)MIL366034 035 $a(OCoLC)795008773 035 $a(EXLCZ)992670000000203552 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aJung & film II $ethe return : further post-Jungian takes on the moving image /$fedited by Christopher Hauke & Luke Hockley 210 1$aHove, East Sussex :$cRoutledge,$d2011. 215 $a1 online resource (357 p.) 300 $aDescription based upon print version of record. 311 $a0-415-48897-4 311 $a0-415-48896-6 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Jung and Film II: The Return; Copyright Page; Contents; List of films; List of figures; Notes on contributors; Acknowledgments; Introduction: Christopher Hauke and Luke Hockley; Part I: Image andpsychotherapy; 1. The decisive image: In documentary film, in Jungian analysis: Tom Hurwitz and Margaret Klenck; 2. 'I thought he might be better now': A clinician's reading of individuation in von Trier's Breaking The Waves: David Hewison; 3. Love, loss, imagination and the 'other' in Soderbergh's Solaris: Andre Zanardo 327 $a4. Birth: Eternal grieving of the spotless mind: John Izod and Joanna Dovalis5. Soul and space in the Coen brothers' No Country for Old Men: Christopher Hauke; Part II: Image and theory; 6. Jungian film studies: The corruption of consciousness and the nurturing of psychological life: Don Fredericksen; 7. 'Much begins amusingly and leads into the dark': Jung's popular cinema and the Other: Christopher Hauke; 8. Contrasting interpretations of film: Freudian and Jungian: Michael Jacobs; 9. Individual interpretations: A response to Michael Jacobs: John Izod 327 $a10. The third image: Depth psychology and the cinematic experience: Luke Hockley11. The nature of adaptation: Myth and the femininegaze in Ang Lee's Sense and Sensibility: Susan Rowland; 12. Cinephilia: Or, looking for meaningfulness in encounters with cinema: Greg Singh; 13. Twilight: Discourse theory and Jung: Catriona Miller; 14. Individual and society in the films of Tim Burton: Helena Bassil-Morozow; Part III: Image, type and archetype; 15. The shadow: Constriction, transformation and individuation in Campion's The Piano: Mary Dougherty 327 $a16. The dark feminine in Aronofsky's The Wrestler: Lydia Lennihan17. The archetype of transformation in Maya Deren's film rituals: Michelangelo Paganopoulos; 18. Coppola's The Conversation: Typology and a caul to the soul: James Palmer; 19. Navel gazing: Introversion/extraversion and Australian cinema: Terrie Waddell; 20. The Wizard of Oz: A vision of development in the American political psyche: John Beebe; Glossary; Index 330 $aSince Jung and Film was first published in 2001, Jungian writing on the moving image in film and television has accelerated. Jung and Film II: The Return provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives. As well as chapters dealing with particular film makers such as Maya Derren and films such as Birth, The Piano, The Wrestler and Breaking the Wave, there is also a unique chapter co-written by documentary f 517 3 $aJung and film II 606 $aJungian psychology 606 $aMotion pictures$xPsychological aspects 615 0$aJungian psychology. 615 0$aMotion pictures$xPsychological aspects. 676 $a791.43019 701 $aHauke$b Christopher$f1953-$01594156 701 $aHockley$b Luke$0741495 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910829047403321 996 $aJung & film II$93914614 997 $aUNINA