LEADER 01517cam0 2200361 450 001 E600200009769 005 20210107091316.0 100 $a20050503d1982 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $aStoria del teatro drammatico$fSilvio D'Amico$gedizione ridotta a cura di Alessandro D'Amico con un aggiornamento di Raul Radice 210 $aRoma$cBulzoni$d1982 215 $a2 v.$d21 cm. 225 2 $aBiblioteca di cultura$v230 410 1$1001SOBE00023266$12001 $a*Biblioteca di cultura$v230 700 1$aD'Amico$b, Silvio$3A600200030574$4070$036359 702 1$aD'Amico, Alessandro$3A600200030575$4070 702 1$aRadice, Raul$3A600200030576$4070 801 0$aIT$bUNISOB$c20210107$gRICA 850 $aUNISOB 852 $aUNISOB$j790$m44272 852 $aUNISOB$j790$m44271 852 $aUNISOB$j790$m71867 852 $aUNISOB$j790$m71866 912 $aE600200009769 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a790$b000071$i-2$gSi$d44272$racquisto$1pomicino$2UNISOB$3UNISOB$420050503124442.0$520200325112638.0$6Alfano 957 $a790$b000071$i-1$gSI$d44271$tN$1Alfano$2UNISOB$3UNISOB$420200325112442.0$520200325112601.0$6Alfano 957 $a790$b000135$i-2$gSi$d71867$racquisto$1pomicino$2UNISOB$3UNISOB$420050516134823.0$520200325112711.0$6Alfano 957 $a790$b000135$i-1$gSI$d71866$n20200325$tI$1Alfano$2UNISOB$3UNISOB$420200325112012.0$520200325112146.0$6Alfano 996 $aStoria del teatro drammatico$992111 997 $aUNISOB LEADER 05227oam 2200733 450 001 9910825764703321 005 20230120091323.0 010 $a1-00-308741-8 010 $a1-003-08741-8 010 $a1-000-18269-X 010 $a1-000-18587-7 024 7 $a10.4324/9781003087410 035 $a(OCoLC)1152443884 035 $a(OCoLC)on1152443884 035 $a(OCoLC-P)1152443884 035 $a(FlBoTFG)9781003087410 035 $a(MiAaPQ)EBC6326559 035 $a(EXLCZ)994100000011421897 100 $a20200422h20212021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 00$aWomen and photography in Africa $ecreative practices and feminist challenges /$fedited by Darren Newbury, Lorena Rizzo and Kylie Thomas 210 1$aAbingdon, Oxon ;$aNew York, NY :$cRoutledge,$d[2021] 210 4$dİ2021 215 $a1 online resource (xiii, 295 pages) $cillustrations 311 $a1-350-13655-7 320 $aIncludes bibliographical references and index. 327 $aNew lines of sight: Perspectives on women and photography in Africa / Darren Newbury, Lorena Rizzo and Kylie Thomas -- A working woman's eye: Anne Fischer and the South African photography of Weimar women in exile / Jessica Williams -- Curating images, performing narratives: Women and photography in the Usakos old location / Lorena Rizzo -- Women photographers in Angola and Mozambique (1909-1950): A history of an absence / Ine?s Vieira Gomes -- 'Don't touch': Inheriting the Deo Gratias Photo Studio in Ghana -- an interview with Kate Tamakloe-Vanderpuije / Rachel Ama Asaa Engmann -- Photographic representations of Tunisian women from the late 1940s to the present: A transgenerational palimpsest / Dora Carpenter-Latiri -- Some collaborative readings of personal and cultural photographs from Southern Africa in the 1980s / Biddy Partridge -- 'We own the night': Youth and self-fashioning in Fatoumata Diabate?'s Sutigi / Tina Barouti -- Photographs and memory making: Curating Kewpie: Daughter of District Six / Tina Smith and Jenny Marsden -- Beyond the frame: Zanele's Muholi's queer visual activism / Tessa Lewin -- Affective archives: Re-animating family photographs in the works of Lebohang Kganye and Thenjiwe Niki Nkosi / Marietta Kesting -- Visual currencies: Performative photography in South African contemporary art / Nomusa Makhubu -- He?la Ammar's Tarz: An affective and imaginative memory upon dispossession / Anna Rocca. 330 $a"This vibrant collection explores women's multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as He?la Ammar, Fatoumata Diabate?, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography the collection provides a model for interdisciplinary feminist approaches for scholars of art history, visual studies and African history"--$cProvided by publisher. 606 $aWomen photographers$zAfrica 606 $aWomen photographers$zAfrica$xHistory 606 $aPhotography, Artistic 606 $aPhotography of women$zAfrica 606 $aPhotography, Artistic$2fast$3(OCoLC)fst01061964 606 $aPhotography of women$2fast$3(OCoLC)fst01061958 606 $aWomen photographers$2fast$3(OCoLC)fst01178288 606 $aPHOTOGRAPHY / Criticism$2bisacsh 606 $aART / African$2bisacsh 606 $aSOCIAL SCIENCE / Feminism & Feminist Theory$2bisacsh 607 $aAfrica$2fast 608 $aHistory.$2fast 615 0$aWomen photographers 615 0$aWomen photographers$xHistory. 615 0$aPhotography, Artistic. 615 0$aPhotography of women 615 7$aPhotography, Artistic. 615 7$aPhotography of women. 615 7$aWomen photographers. 615 7$aPHOTOGRAPHY / Criticism 615 7$aART / African 615 7$aSOCIAL SCIENCE / Feminism & Feminist Theory 676 $a770.82096 702 $aNewbury$b Darren 702 $aRizzo$b Lorena 702 $aThomas$b Kylie 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910825764703321 996 $aWomen and photography in Africa$94026286 997 $aUNINA