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III 10-12)$91670598 997 $aUNISOB LEADER 06477nam 2201093 450 001 9910819243103321 005 20230912150245.0 010 $a1-4875-8677-9 010 $a1-281-99471-5 010 $a9786611994716 010 $a1-4426-7472-5 024 7 $a10.3138/9781442674721 035 $a(CKB)2430000000001904 035 $a(EBL)4670226 035 $a(SSID)ssj0001420504 035 $a(PQKBManifestationID)12613145 035 $a(PQKBTitleCode)TC0001420504 035 $a(PQKBWorkID)11403925 035 $a(PQKB)11270171 035 $a(SSID)ssj0000295933 035 $a(PQKBManifestationID)11223146 035 $a(PQKBTitleCode)TC0000295933 035 $a(PQKBWorkID)10321272 035 $a(PQKB)11560927 035 $a(CaBNvSL)thg00600997 035 $a(DE-B1597)464463 035 $a(OCoLC)1013958044 035 $a(OCoLC)944178069 035 $a(DE-B1597)9781442674721 035 $a(Au-PeEL)EBL4671496 035 $a(CaPaEBR)ebr11257206 035 $a(CaONFJC)MIL199471 035 $a(OCoLC)958579244 035 $a(OCoLC)1124385666 035 $a(MdBmJHUP)musev2_104743 035 $a(VaAlCD)20.500.12592/bwc4bj 035 $a(schport)gibson_crkn/2009-12-01/6/418469 035 $a(MiAaPQ)EBC4671496 035 $a(MiAaPQ)EBC3258024 035 $a(EXLCZ)992430000000001904 100 $a20160915h20032003 uy 0 101 0 $aeng 135 $auran|---ann|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aExorcism and its texts $esubjectivity in early modern literature of England and Spain /$fHilaire Kallendorf 205 $a2nd ed. 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon [England] :$cUniversity of Toronto Press,$d2003. 210 4$dİ2003 215 $a1 online resource $cillustrations 225 1 $aUniversity of Toronto Romance Series 311 $a1-4875-8726-0 311 $a0-8020-8817-1 320 $aIncludes bibliographical references and index. 327 $tPrologue--A Force Within: The Importance of Demonic Possession for Early Modern Studies --$tA Paradigm of Theologemes for Literary Exorcism --$tIntroduction: The Morphology of Exorcism, or a Grammar of Possession in Spanish and English Literature, 1550-1700 --$tDemoniacs in the Drama: Theatricalities of Comic Possession and the Exorcism of the Body Politic --$tThe Demon Enters the Body: Alonso de la Vega's La duquesa de la rosa --$tSymptoms of Possession: Jonson's The Devil is an Ass --$tDemonic Polyglossia: Ruggle's Ignoramus --$tThe Coach: Jonson's Volpone --$tThe Exorcist: Shakespeare's Twelfth Night --$tThe Lovers' Ruse: The Bugbears --$tThe (Mock) Exorcism: Shakespeare's Comedy of Errors --$tBinding the Body: Timoneda's Los menemnos --$tRelics, Holy Water, and Other Props: Shadwell's The Lancashire Witches --$tThe Successful Exorcism: El pleyto que tuvo el diablo --$tExorcizing the Body Politic: Zamora's El hechizado por fuerza and Middleton's The Phoenix --$tPossessed Picaros and Satanic Satire --$tAn Erasmian View of Lazarillo's Fifth Tratado --$tAnother Picaro and Another Alguacil endemoniado: Quevedo's Buscon, Suenos, Satirical Poetry, and La endemoniada fingida --$tAlguacil endemoniado or Demonio alguacilado? --$t'The Experienced Mysteries of Damnation' --$t'Da ... al discurso miedo': The Printing of Forbidden Knowledge --$t'Libido sciendi' --$tRomance, the Interlude, and Hagiographical Drama: The Humanization of Possession and Exorcism --$tRomance, the Interlude, and the Restoration of Order: Cervantes' Persiles and Lope's La endemoniada. 330 $aExorcism and demonic possession appear as recurrent motifs in early modern Spanish and English literatures. In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics like Shakespeare, Cervantes, Ben Jonson, and Lope de Vega, to obscure works by anonymous writers. From comic and tragic drama to picaresque narrative and eight other genres, possession worked as a paradigm through which authors could convey extraordinary experience, including not only demonic possession but also madness or even murder. The devil was thought to be able to enter the bodily organs and infect memory, imagination, and reason. Some came to believe that possession was tied to enthusiasm, poetic frenzy, prophecy, and genius. Authors often drew upon sensational details of actual exorcisms. In some cases, such as in Shakespeare, curing the body (and the body politic) meant affirming cultural authority; in others, as with Zamora, it clearly meant subverting it. Drawing on the disciplines of literary theory and history, Exorcism and its Texts is the first comprehensive study of this compelling topic. 410 0$aUniversity of Toronto romance series. 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism 606 $aExorcism in literature 606 $aSpanish literature$yClassical period, 1500-1700$xHistory and criticism 606 $aComparative literature$xEnglish and Spanish 606 $aComparative literature$xSpanish and English 606 $aChristianity and literature$zEngland 606 $aChristianity and literature$zSpain 606 $aDemoniac possession in literature 606 $aSubjectivity in literature 606 $aHuman body in literature 607 $aSpanisch$2swd 607 $aEnglisch$2swd 607 $aSpain$2fast 607 $aEngland$2fast 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aEnglish literature$xHistory and criticism. 615 0$aExorcism in literature. 615 0$aSpanish literature$xHistory and criticism. 615 0$aComparative literature$xEnglish and Spanish. 615 0$aComparative literature$xSpanish and English. 615 0$aChristianity and literature 615 0$aChristianity and literature 615 0$aDemoniac possession in literature. 615 0$aSubjectivity in literature. 615 0$aHuman body in literature. 676 $a820.937 700 $aKallendorf$b Hilaire$f1974-$0851624 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819243103321 996 $aExorcism and its texts$94009173 997 $aUNINA 999 $p$76.50$u12/08/2018$5Eng