LEADER 03127oam 2200673I 450 001 9910452317003321 005 20210209180205.0 010 $a1-315-64924-1 010 $a1-317-30342-3 010 $a1-281-24436-8 010 $a9786611244361 010 $a1-85196-565-3 024 7 $a10.4324/9781315649245 035 $a(CKB)1000000000485852 035 $a(EBL)335107 035 $a(OCoLC)222259795 035 $a(SSID)ssj0000152091 035 $a(PQKBManifestationID)11170460 035 $a(PQKBTitleCode)TC0000152091 035 $a(PQKBWorkID)10320653 035 $a(PQKB)11787921 035 $a(MiAaPQ)EBC1510779 035 $a(MiAaPQ)EBC335107 035 $a(MiAaPQ)EBC4014378 035 $a(OCoLC)948602691 035 $a(Au-PeEL)EBL335107 035 $a(EXLCZ)991000000000485852 100 $a20180706d20162008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aExperimentation on the English stage, 1695-1708 $ethe career of George Farquhar /$fby Elizabeth J. Heard 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (179 p.) 300 $aFirst published 2008 by Pickering & Chatto (Publishers) Limited. 311 $a1-138-11762-5 311 $a1-85196-971-3 320 $aIncludes bibliographical references and index. 327 $aAckowledgements; Introduction; 1. The London Theatre World in the 1690s; 2. Origins of 'Humane Comedy'; 3. Experimentation at the Turn of the Century; 4. Successful Experimentation; 5. Farquhar's Contributions and the Post-1707 Theatre; Conclusion; Notes; Works Cited; Index 330 $aAt the beginning of the eighteenth century, British theatre saw a shift from what critics now call 'Restoration' to 'sentimental' comedy. Focusing on the career of the Irish dramatist George Farquhar (1678-1707), Heard argues that experimentation was the basis for this change. Farquhar's first play, "Love and a Bottle" (1698) relied on outdated plot devices and character types. By contrast, his final two plays, "The Recruiting Officer" (1706) and "The Beaux Stratagem" (1707) used creative new elements to connect with English audiences. Over ten years, Farquhar and his contemporaries experimented with characters, plot lines, and dialogue in an attempt to woo their audiences. In doing so they initiated a new era in British comedy. 606 $aEnglish drama (Comedy)$xHistory and criticism 606 $aEnglish drama$y18th century$xHistory and criticism 606 $aEnglish drama$y17th century$xHistory and criticism 608 $aElectronic books. 615 0$aEnglish drama (Comedy)$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 676 $a822.052309 700 $aHeard$b Elisabeth J.$01056602 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452317003321 996 $aExperimentation on the English stage, 1695-1708$92491110 997 $aUNINA LEADER 00860cam0 2200241 450 001 E600200003099 005 20211228131348.0 100 $a20040617d1931 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $aGli annali delle edizioni dantesche$econ XLVI tavole fuori testo$econtributo ad una bibliografia definitiva$fGiuliano Mambelli 210 $aBologna$cZanichelli$d1931 215 $a421 p.$d24 cm 700 1$aMambelli$b, Giuliano$3A600200026763$4070$0220512 801 0$aIT$bUNISOB$c20211228$gRICA 850 $aUNISOB 852 $aUNISOB$j850.1$m117205 912 $aE600200003099 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a850.1$b000170$gSI$d117205$hEsposito$rdono$1cutolo$2UNISOB$3UNISOB$420040617110712.0$520200621184544.0$6Alfano 996 $aGli annali delle edizioni dantesche$91673688 997 $aUNISOB LEADER 04582oam 2200625Ia 450 001 9910782114403321 005 20190503073345.0 010 $a0-262-26865-5 010 $a1-4356-6797-2 035 $a(CKB)1000000000539268 035 $a(OCoLC)646764037 035 $a(CaPaEBR)ebrary10251686 035 $a(SSID)ssj0000102581 035 $a(PQKBManifestationID)11133154 035 $a(PQKBTitleCode)TC0000102581 035 $a(PQKBWorkID)10051076 035 $a(PQKB)11687137 035 $a(MiAaPQ)EBC3338951 035 $a(OCoLC)259741795$z(OCoLC)646764037$z(OCoLC)961487697$z(OCoLC)962643343$z(OCoLC)965988600$z(OCoLC)992075414$z(OCoLC)992099667$z(OCoLC)1026839616$z(OCoLC)1037908370$z(OCoLC)1038557373$z(OCoLC)1045503980$z(OCoLC)1050973223$z(OCoLC)1055350007$z(OCoLC)1058641735$z(OCoLC)1065748749$z(OCoLC)1077295588$z(OCoLC)1081210473$z(OCoLC)1083600321$z(OCoLC)1088969262 035 $a(OCoLC-P)259741795 035 $a(MaCbMITP)8014 035 $a(Au-PeEL)EBL3338951 035 $a(CaPaEBR)ebr10251686 035 $a(OCoLC)259741795 035 $a(EXLCZ)991000000000539268 100 $a20081002d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAmerica's food $ewhat you don't know about what you eat /$fHarvey Blatt 210 $aCambridge, Mass. $cMIT Press$dİ2008 215 $a1 online resource (347 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-51595-4 311 $a0-262-02652-X 320 $aIncludes bibliographical references (p. [269]-329) and index. 327 $aOld Mcdonald has no farm: he dies, she dies, sold -- Soil character and plant growth: nature's magic -- Grain farming: the basic crop -- Organic food: as nature intended -- Genetically modified food: food fights among adults -- Chicken, eggs, turkey, and duck: fowl weather -- Cattle, milk, swine, and sheep: raising cholesterol -- Seafood: the killing fields -- Fruits and vegetables: plants to cherish -- Food processing: what is this stuff we're eating -- Eating poorly and too much: poor health and body bloat. 330 $aWe don't think much about how food gets to our tables, or what had to happen to fill our supermarket's produce section with perfectly round red tomatoes and its meat counter with slabs of beautifully marbled steak. We don't realize that the meat in one fast-food hamburger may come from many different cattle raised in several different countries. In fact, most of us have a fairly abstract understanding of what happens on a farm. In this book the author gives us the specifics. He tells us, for example, that a third of the fruits and vegetables grown are discarded for purely aesthetic reasons; that the artificial fertilizers used to enrich our depleted soil contain poisonous heavy metals; that chickens who stand all day on wire in cages choose feed with pain-killing drugs over feed without them; and that the average American eats his or her body weight in food additives each year. He also asks us to think about the consequences of eating food so far removed from agriculture; why unhealthy food is cheap; why there is an International Federation of Competitive Eating; what we don't want to know about how animals raised for meat live, die, and are butchered; whether people are even designed to be carnivorous; and why there is hunger when food production has increased so dramatically. This book describes the production of all types of food in the United States and the environmental and health problems associated with each. After taking us on a tour of the American food system, not only the basic food groups but soil, grain farming, organic food, genetically modified food, food processing, and diet, the author reminds us that we are not powerless. Once we know the facts about food in America, we can change things by the choices we make as consumers, as voters, and as ethical human beings. 517 3 $aWhat you don't know about what you eat 606 $aFood industry and trade$xHealth aspects$zUnited States 606 $aAgriculture$xEnvironmental aspects$zUnited States 610 $aENVIRONMENT/General 610 $aENVIRONMENT/Food Studies 615 0$aFood industry and trade$xHealth aspects 615 0$aAgriculture$xEnvironmental aspects 676 $a363.19/20973 700 $aBlatt$b Harvey$0605539 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910782114403321 996 $aAmerica's food$93692658 997 $aUNINA