LEADER 00931cam2 2200289 450 001 E600200001180 005 20171024170537.0 010 $a8814098239 100 $a20040331d2003 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $a<<1: >>Artt. 1-49$fa cura di Raffaele Gargiulo, Alberto Macchia 205 $aNuova ed 210 $aMilano$cGiuffrè$d2003 215 $aXXXIV, 668 p.$d24 cm 461 1$1001SOBE00057192$12001 $a<<1: >>Soggetti$v1 702 1$aMacchia, Alberto$3A600200025505$4070 702 1$aGargiulo, Raffaele$3A600200025506$4070 801 0$aIT$bUNISOB$c20171024$gRICA 850 $aUNISOB 852 $aUNISOB$j340$m120137 912 $aE600200001180 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a340$b004548$i-1.1$gSi$d120137$racquisto$tN$1catenacci$2UNISOB$3UNISOB$420040331083924.0$520171024170315.0$6menle 996 $aArtt. 1-49$91407236 997 $aUNISOB LEADER 01128nam0 22002771i 450 001 UON00128750 005 20231205102747.389 100 $a20020107d1976 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| 1|||| 200 1 $aArchitettura dei Crociati in Puglia$eIl Santo Sepolcro di Barletta$fAngelo Ambrosi 210 $aBari$cDedalo$d1976 215 $a139 p.$cill.$d25 cm. 410 1$1001UON00128755$12001 $aQuaderni dell'Istituto di Disegno$fFacoltà di Ingegneria, Università di Bari 517 1$3UON00367576$aˆIl ‰Santo Sepolcro di Barletta 620 $aIT$dBari$3UONL000072 686 $aPE XI$cPAESI EXTRAASIATICI - ARCHITETTURA$2A 700 1$aAMBROSI$bAngelo$3UONV079232$023665 712 $aDedalo$3UONV248403$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00128750 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI PE XI 009 $eSI SA 16877 7 009 996 $aArchitettura dei crociati in Puglia$9293534 997 $aUNIOR LEADER 04448nam 2200853 450 001 9910813471103321 005 20230912160029.0 010 $a1-282-02260-1 010 $a9786612022609 010 $a1-4426-7931-X 024 7 $a10.3138/9781442679313 035 $a(CKB)2420000000004326 035 $a(EBL)3251264 035 $a(SSID)ssj0000308344 035 $a(PQKBManifestationID)11274969 035 $a(PQKBTitleCode)TC0000308344 035 $a(PQKBWorkID)10258392 035 $a(PQKB)11424300 035 $a(CaPaEBR)418237 035 $a(CaBNvSL)thg00600311 035 $a(DE-B1597)464822 035 $a(OCoLC)1013963014 035 $a(OCoLC)944177671 035 $a(DE-B1597)9781442679313 035 $a(Au-PeEL)EBL4671907 035 $a(CaPaEBR)ebr11257596 035 $a(OCoLC)244764760 035 $a(VaAlCD)20.500.12592/5fgzsb 035 $a(schport)gibson_crkn/2009-12-01/6/418237 035 $a(MiAaPQ)EBC4671907 035 $a(MdBmJHUP)musev2_105172 035 $a(MiAaPQ)EBC3251264 035 $a(PPN)254154506 035 $a(EXLCZ)992420000000004326 100 $a20160922h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRethinking women's collaborative writing $epower, difference, property /$fLorraine York 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2002. 210 4$d©2002 215 $a1 online resource (216 p.) 300 $aDescription based upon print version of record. 311 $a0-8020-8465-6 311 $a0-8020-3623-6 320 $aIncludes bibliographical references and index. 327 $aTheorizing contemporary women's collaborative writing -- "We have horrible disagreements about "moreovers"": collaborative theory and criticism -- Collaborative predecessors -- "The high wire of self and other": prose collaborations -- Being alone together: collaborative poetry -- "It ... shook up my easy theories": theatrical collaboration -- Epilogue "Giving each other the gears, we are still engaged." 330 $aCollaborative writing is not a new phenomenon, nor is it specific to a particular genre of writing. In Rethinking Women's Collaborative Writing, Lorraine York presents an eminently readable study of the history of collaborative writing and common critical reactions to it. From Early Modern playwrights and poets to nineteenth-century novelists to contemporary writers and literary critics, York's survey focuses on women's collaborative writing in order to expose the long-standing prejudice against this form and to encourage readings of these works that take into account the personalities of the collaborators and the power dynamics of their authorial relationships. York explores collaborative writing from women in Britain, the United States, Italy and France, illuminating the tensions in the collaborative process that grow out of important cultural, racial, and sexual differences between the authors. Current scholarship on collaborative writing is growing and Rethinking Women's Collaborative Writing presents a strong, thoughtful addition to the literature in the field. 606 $aEnglish literature$xWomen authors$xHistory and criticism$xTheory, etc 606 $aCanadian literature$xWomen authors$xHistory and criticism$xTheory, etc 606 $aAmerican literature$xWomen authors$xHistory and criticism$xTheory, etc 606 $aFeminism and literature$zEnglish-speaking countries 606 $aWomen and literature$zEnglish-speaking countries 606 $aAuthorship$xCollaboration 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aEnglish literature$xWomen authors$xHistory and criticism$xTheory, etc. 615 0$aCanadian literature$xWomen authors$xHistory and criticism$xTheory, etc. 615 0$aAmerican literature$xWomen authors$xHistory and criticism$xTheory, etc. 615 0$aFeminism and literature 615 0$aWomen and literature 615 0$aAuthorship$xCollaboration. 676 $a809/.89287 700 $aYork$b Lorraine Mary$f1958-$01667148 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813471103321 996 $aRethinking women's collaborative writing$94075797 997 $aUNINA