LEADER 01216nam a2200337 i 4500 001 991003678039707536 005 20021220115244.0 008 021118s1999 it ||| | ||| 020 $a8885872115 035 $ab11847141-39ule_inst 035 $aLE01313228$9ExL 040 $aDip.to Matematica$beng 041 0 $ita 082 0 $a499.992 084 $aAMS 00A99 110 2 $aFederazione Esperantista Italiana$0531801 245 10$aEsperanto :$bdati e fatti /$ca cura di F. Amerio, G. Bonvecchiato, G. C. Fighiera 260 $aMilano :$bFEI-Fondo Marelli,$c1999 300 $a93 p. ;$c21 cm. 490 0 $aQuaderni di interlinguistica ;$v1 650 4$aLinguistics 700 1 $aAmerio, Francesco 700 1 $aFighiera, Gian Carlo 700 1 $aBonvecchiato, G. 907 $a.b11847141$b28-04-17$c20-12-02 912 $a991003678039707536 945 $aLE005 149 AME01. 01$g1$i2005000217661$lle005$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i15091181$z17-03-10 945 $aLE013 00A99 AME11 (1999)$g1$i2013000136400$lle013$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i12099582$z20-12-02 996 $aEsperanto$9900095 997 $aUNISALENTO 998 $ale005$ale013$b01-01-02$cm$da $e-$feng$git $h0$i2 LEADER 02918nam 2200613 a 450 001 996248105203316 005 20230828225611.0 010 $a0-520-91650-6 010 $a0-585-32092-6 024 7 $a10.1525/9780520916500 035 $a(CKB)111057870442176 035 1 $aMAHS93B962 035 1 $zDCLC9216317B 035 $a(MH)002594628-5 035 $a(DE-B1597)565394 035 $a(DE-B1597)9780520916500 035 $a(OCoLC)1224279537 035 $a(dli)HEB06281 035 $a(MiU)MIU01000000000000006868841 035 $a(MiAaPQ)EBC30771691 035 $a(Au-PeEL)EBL30771691 035 $a(EXLCZ)99111057870442176 100 $a19930817d1993 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMusicology and difference $egender and sexuality in music scholarship /$fedited by Ruth A. Solie 205 $aReprint 2020 210 $aBerkeley $cUniversity of California Press$dc1993 215 $a1 online resource (xi, 355 p. )$cill. ; 311 $a0-520-20146-9 311 $a0-520-07927-2 320 $aIncludes bibliographical references and index. 327 $aGender and other dualities of music history -- Difference and power in music -- Loving it -- Charles Ives and gender ideology --Ethnomusicologist as midwife -- Women as musicians -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony 330 $aAddressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality. 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