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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe composer as intellectual$b[electronic resource] $emusic and ideology in France 1914-1940 /$fJane F. Fulcher
210   $aNew York $cOxford University Press$d2005
215   $a1 online resource (488 p.)
300   $aDescription based upon print version of record.
311   $a0-19-534296-8 
311   $a0-19-517473-9 
320   $aIncludes bibliographical references (p. 427-462) and indexes.
327   $aContents; Introduction; 1: Wartime Nationalism, Classicism, and Their Limits; 2: The National or Universal in the Twenties; 3: The "Defense" of French Culture in the Thirties; 4: The Return to Spirit; Conclusion; Notes; Bibliography; Index
330   $aAs a follow-up to her book exploring musical and political cultures in France from the Dreyfus Affair to the First World War, the author here applies the same approach to the years from 1914-1940, arguing that French musical meanings are best explained not in terms of artistic movements, but rather in terms of the political culture.
606   $aMusic$zFrance$y20th century$xHistory and criticism
606   $aComposers$zFrance
606   $aMusic$xSocial aspects$zFrance
606   $aMusic$xPolitical aspects$zFrance
608   $aElectronic books.
615  0$aMusic$xHistory and criticism.
615  0$aComposers
615  0$aMusic$xSocial aspects
615  0$aMusic$xPolitical aspects
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700   $aFulcher$b Jane F$0957635
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200 1 $aStoria della Democrazia cristiana$fMaurice Vaussard
210   $aBologna$cCappelli$dstampa 1959
215   $aX, 382 p.$d21 cm
300   $aTraduzione di Corrado Barberis.
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