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210   $aTorino$cGiulio Einaudi Editore$d1984
215   $a988 p.$d22 cm.
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200 10$aPower on Display $eThe Politics of Shakespeare's Genres
205   $a1st ed.
210   $aHoboken $cTaylor and Francis$d2013
210  1$aLondon :$cRoutledge,$d2005.
215   $a1 online resource (216 p.)
225 0 $aRoutledge library editions. Shakespeare. History & politics ;$v6
300   $aDescription based upon print version of record.
311 08$a0-415-35315-7 
320   $aIncludes bibliographical references and index.
327   $aCover; POWER ON DISPLAY; Title Page; Copyright Page; Table of Contents; Acknowledgments; INTRODUCTION Shakespeare and the scene of reading; 1 STAGING CARNIVAL Comedy and the politics of the aristocratic body; 2 RITUALS OF STATE History and the Elizabethan strategies of power; 3 THE THEATER OF PUNISHMENT Jacobean tragedy and the polities of misogyny; 4 FAMILY RITES City comedy, romance, and the strategies of patriarchalism; Notes; Index
330   $aFirst published in 1986. 'Impressively open to the complexity of cultural discourses, to the ways in which one discursive form may function as a screen for another above all to the political entailment of genre.' Stephen Greenblatt.What is the relation between literary and political power? How do the symbolic dimensions of social practice and the social dimensions of artistic practice relate to one another? Power on Display considers Shakespeare's progression from romantic comedies and history plays to tragedy and romance in the light of the general pr
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606   $aLanguages & Literatures$2HILCC
606   $aEnglish Literature$2HILCC
607   $aGreat Britain$xHistory$yElizabeth, 1558-1603$xHistoriography
607   $aGreat Britain$xHistory$yJames I, 1603-1625$xHistoriography
615  7$aEnglish
615  7$aLanguages & Literatures
615  7$aEnglish Literature
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