LEADER 03315nam 22004573 450 001 9910897989203321 005 20241026060230.0 010 $a9783031722714 010 $a303172271X 035 $a(MiAaPQ)EBC31738068 035 $a(Au-PeEL)EBL31738068 035 $a(CKB)36389224000041 035 $a(Exl-AI)31738068 035 $a(EXLCZ)9936389224000041 100 $a20241026d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA Raphael Madonna and Child Oil Painting 205 $a1st ed. 210 1$aCham :$cSpringer,$d2024. 210 4$d©2024. 215 $a1 online resource (324 pages) 311 08$a9783031722707 311 08$a3031722701 327 $aForeword -- Acknowledgements -- Contents -- About the Author -- 1 Setting the Scene: The Adoption of Forensic Analysis in the Attribution of an Artwork and the Role of Connoisseurship -- 1.1 The Theme of This Text -- 1.2 Attribution Terms -- 1.3 Popes at the Vatican During the Renaissance -- 1.4 Chronology of the Research Undertaken on the de Brécy Tondo -- 1.5 List of Publications and Presentations on the de Brécy Tondo Scientific Analyses -- 1.6 Summary -- References -- 2 The Life and Death of Raphael Sanz di Urbino -- 2.1 Introduction -- 2.2 The Raphael Canon -- 2.2.1 Analysis of the Raphael Canon -- 2.2.2 The Raphael Tapestries -- 2.2.3 Current Location of Raphael?s Paintings -- 2.3 The Last Years in Rome -- 2.3.1 Raphael?s Autographed Art Works -- 2.4 Raphael?s Interaction with Women in Rome -- 2.4.1 Felice Della Rovere -- 2.4.2 Maria Bibbiena -- 2.4.3 Margherita Luti -- 2.5 Raphael as an Architect -- References -- 3 The de Brécy Tondo?A History Prior to Its Purchase in 1981 and Afterwards -- 3.1 The de Brécy Tondo Image -- 3.2 Initial Research -- 3.2.1 The Pentimenti$7Generated by AI. 330 $aThis book, authored by Howell G. M. Edwards, presents a comprehensive forensic analytical evaluation of a Raphael Madonna and Child oil painting, specifically the de Brecy Tondo. The work confirms the painting's authenticity as a study by Raphael for his Sistine Madonna, commissioned for the monastic church of San Sisto in Piacenza. The book details the meticulous historical and scientific research, including both invasive and non-invasive scientific imaging, alongside physical and chemical analysis. It explores the challenges faced in convincing the formal art world of its authenticity, highlighting contributions from art scholars, historians, and forensic scientists. Intended for art historians, forensic scientists, and those interested in art authentication, this work underscores the intersection of art and science in uncovering historical truths.$7Generated by AI. 606 $aScience in art$7Generated by AI 606 $aArt, Renaissance$7Generated by AI 615 0$aScience in art. 615 0$aArt, Renaissance. 700 $aEdwards$b Howell G. 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