LEADER 03277nam 2200889z- 450 001 9910557529103321 005 20210501 035 $a(CKB)5400000000044287 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/68392 035 $a(oapen)doab68392 035 $a(EXLCZ)995400000000044287 100 $a20202105d2021 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMusical Instruments$eAcoustics and Vibration 210 $aBasel, Switzerland$cMDPI - Multidisciplinary Digital Publishing Institute$d2021 215 $a1 online resource (138 p.) 311 08$a3-03936-613-0 311 08$a3-03936-614-9 330 $aThe study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard. 517 $aMusical Instruments 606 $aMusic$2bicssc 610 $a1176 compressor 610 $aacoustic holography 610 $aaudio mixing 610 $aauditory feedback 610 $aauditory perception 610 $aautoclave 610 $abinaural audio 610 $aCarabattola 610 $aCFRE 610 $aDivje babe I 610 $adynamic 610 $adynamic range compression 610 $afeature extraction 610 $aFET compression 610 $aintensity of acoustic radiation 610 $aintensity of acoustic radiation (IAR) 610 $akeyboard vibrations 610 $alistening experiment 610 $ameasurement 610 $amicrophone array 610 $amodal 610 $amodal analysis 610 $aMousterian 610 $amusic production 610 $amusical haptics 610 $amusical instrument 610 $amusical instruments 610 $an/a 610 $aNeanderthals 610 $aout-of-autoclave 610 $aPalaeolithic 610 $aPersian musical instruments 610 $apiano 610 $aplates 610 $aprocessing 610 $arecording 610 $asampler 610 $asemantic audio 610 $asound efficiency 610 $asynthesizer 610 $atactile feedback 610 $atimbre modeling 610 $atimbre space 610 $avacuum-bag-only 610 $awave field synthesis 615 7$aMusic 700 $aTronchin$b Lamberto$4edt$01303350 702 $aTronchin$b Lamberto$4oth 906 $aBOOK 912 $a9910557529103321 996 $aMusical Instruments$93026929 997 $aUNINA LEADER 01434nam0 22003373i 450 001 PAL0003895 005 20251003044305.0 100 $a19910116d1951 ||||0itac50 ba 101 | $aita$cita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 183 1$6z01$anc$2RDAcarrier 200 1 $aTeoderico$fPaolo Lamma 210 $aBrescia$cLa scuola$d1951 215 $a220 p.$d20 cm 225 | $aˆGli ‰uomini e la civilta. -$iuomini e la civiltà. Ser. 13.: Profili della storia 410 0$1001RAV0208063$12001 $aˆGli ‰uomini e la civilta. -$iGli *uomini e la civiltà. Ser. 13.: Profili della storia 500 10$aTeoderico$3PAL0329643$9RAVV080646$965485 606 $aTeodorico $2FIR$3CFIC065661$9E 676 $a945.01092$9STORIA D'ITALIA. PRIMO PERIODO, FINO AL 774. Persone$v21 700 1$aLamma$b, Paolo$3RAVV080646$4070$0153457 801 3$aIT$bIT-000000$c19910116 850 $aIT-BN0095 $aIT-NA0079 901 $bNAP 01$cV $n$ 901 $bNAP BN$cF.PONTIERI$nIl Fondo è escluso dal servizio di prestito. La consegna dei documenti è effettuata dall'Ufficio Distribuzione 912 $aPAL0003895 950 0$aBiblioteca Centralizzata di Ateneo$c1 v.$d 01V (S) 000 778$e 01S 0009007785 VMA 1 v.$fY $h20140515$i20140515 977 $a 01$a BN 996 $aTeoderico$965485 997 $aUNISANNIO