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200 10$aTrespassing through shadows$b[electronic resource] $ememory, photography, and the Holocaust /$fAndrea Liss
210   $aMinneapolis $cUniversity of Minnesota Press$d1998
215   $a1 online resource (174 p.)
225 1 $aVisible evidence ;$vv. 3
300   $aDescription based upon print version of record.
311   $a0-8166-3060-7 
311   $a0-8166-3059-3 
320   $aIncludes bibliographical references (p. 136-147) and index.
327   $aContents; Acknowledgments; Introduction: (Im)Possible Witnessing; 1 Photography and Naming; 2 The Identity Card Project and the Tower of Faces at the United States Holocaust Memorial Museum; 3 Between Trauma and Nostalgia: Christian Boltanski's Memorials and Art Spiegelman's Maus; 4 Artifactual Witnessing as (Im)Possible Evidence; 5 The Provocation of Postmemories; In Lieu of a Conclusion: Tender Rejections; Notes; Bibliography; Index
330   $aPhotographs of the Holocaust bear a double burden: to act as history lessons for future generations so we will "never forget" and to provide a means of mourning. In Trespassing through Shadows, Andrea Liss examines the inherent difficulties and productive possibilities of using photographs to bear witness, initiating a critical dialogue about the ways the post-Auschwitz generation has employed these documents to represent Holocaust memory and history.
410  0$aVisible evidence ;$vv. 3.
606   $aHolocaust, Jewish (1939-1945)$vPictorial works
606   $aDocumentary photography
615  0$aHolocaust, Jewish (1939-1945)
615  0$aDocumentary photography.
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210   $aMilano$cVallardi$d1964
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