LEADER 03807nam 2200685Ia 450 001 9910966011003321 005 20250410101009.0 010 $a9789004221499 010 $a9004221492 024 7 $a10.1163/9789004221499 035 $a(CKB)2670000000240774 035 $a(EBL)1035295 035 $a(OCoLC)812178354 035 $a(SSID)ssj0000716007 035 $a(PQKBManifestationID)11442945 035 $a(PQKBTitleCode)TC0000716007 035 $a(PQKBWorkID)10723990 035 $a(PQKB)10869072 035 $a(MiAaPQ)EBC1035295 035 $a(nllekb)BRILL9789004221499 035 $a(Au-PeEL)EBL1035295 035 $a(CaPaEBR)ebr10608113 035 $z(PPN)170439879 035 $a(PPN)174589441 035 $a(EXLCZ)992670000000240774 100 $a20120501d2012 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aVisual political communication in popular Chinese television series /$fby Florian Schneider 205 $a1st ed. 210 $aLeiden ;$aBoston $cBrill$d2012 215 $a1 online resource (307 p.) 225 0 $aChina studies,$x1570-1344 ;$vv. 22 300 $aDescription based upon print version of record. 311 08$a9789004221482 311 08$a9004221484 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Chapter One Introduction: Cultural Governance and Chinese TV Drama Series -- Chapter Two The State and Its Officials in TV Dramas -- Chapter Three Securing the State: Law Enforcement and Military Action -- Chapter Four Justifying the State: Political Legitimacy and Accountability -- Chapter Five Creating the Political Discourses of TV Dramas -- Chapter Six The Chinese Television Drama Audience -- Chapter Seven Government Regulations and Censorship Mechanisms -- Chapter Eight Chinese Perceptions of Television?s Function and Influence -- Chapter Nine Conclusion: Chinese TV Discourses and the Factors of Their Production -- Glossary of Technical Terms -- Bibliography -- Appendix -- Index. 330 $aVisual Political Communication in Popular Chinese Television Series has been granted the EastAsiaNet 2014 Award ! In Visual Political Communication in Popular Chinese Television Series , Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today. Schneider shows that despite their often nationalistic stories of glorious emperors and courageous officials, such programmes should not be mistaken for official propaganda. Instead, the highly didactical messages of such series are the outcome of complex cultural governance practices, which are influenced by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. Schneider argues that these interlinking factors lead to a highly restrictive creative environment and to conservative entertainment content that ultimately risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate. 410 0$aChina Studies$v22. 606 $aTelevision programs$zChina 606 $aTelevision and politics$zChina 606 $aTelevision broadcasting policy$zChina 615 0$aTelevision programs 615 0$aTelevision and politics 615 0$aTelevision broadcasting policy 676 $a384.55/320951 700 $aSchneider$b Florian$0714138 701 $aDudbridge$b Glen$0646371 701 $aPieke$b Frank N$0280600 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966011003321 996 $aVisual political communication in popular Chinese television series$94349801 997 $aUNINA LEADER 03265nam0 2200565 i 450 001 IEI0067075 005 20251003044157.0 010 $a884204153X 020 $aIT$bEDI-240 100 $a19930225d1992 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 183 1$6z01$anc$2RDAcarrier 200 1 $aˆLa ‰Banca d'Italia e il risanamento post-bellico$e1945-1948$fa cura di Sergio Ricossa e Ercole Tuccimei 210 $aRoma \etc.!$cLaterza$d1992 215 $aVIII, 658 p.$c21 cm. 225 | $aCollana storica della Banca d'Italia.$i Ser. 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