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Accesserunt seorsim notae Iosiae Mercieri ad eundem Tacitum$91485513 997 $aUNISANNIO LEADER 02388nam 2200625 450 001 9910820332803321 005 20200520144314.0 010 $a1-299-20070-2 010 $a0-7083-2274-3 035 $a(CKB)2670000000058204 035 $a(EBL)602632 035 $a(OCoLC)676698524 035 $a(SSID)ssj0000418100 035 $a(PQKBManifestationID)12137067 035 $a(PQKBTitleCode)TC0000418100 035 $a(PQKBWorkID)10370848 035 $a(PQKB)10998471 035 $a(MiAaPQ)EBC1889025 035 $a(MiAaPQ)EBC602632 035 $a(Au-PeEL)EBL1889025 035 $a(CaPaEBR)ebr10640660 035 $a(CaONFJC)MIL451320 035 $a(OCoLC)781330082 035 $a(PPN)18516160X 035 $a(EXLCZ)992670000000058204 100 $a20151126h20102010 uy 1 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFrench fiction into the twenty-first century $ethe return to the story /$fSimon Kemp 210 1$aCardiff, [Wales] :$cUniversity of Wales Press,$d2010. 210 4$d©2010 215 $a1 online resource (224 p.) 225 1 $aFrench and Francophone Studies 300 $aDescription based upon print version of record. 311 $a0-7083-2273-5 320 $aIncludes bibliographical references and index. 327 $aSeries Editors' Preface; Introduction; Annie Ernaux and the Narrating of Time; Pascal Quignard and the Fringes of Narrative; Marie Darrieussecq and the Voice of the Mind; Jean Echenoz and the uses of digression; Patrick Modiano and the Problem of Endings; The Return to the Story; Notes; Select Bibliography; Index 330 $aThis book examines contemporary French literature in the light of a widely-held critical notion that it exists 'in the wake' of a period in which avant-garde experimental literature and postmodern writing-about-writing held sway. 410 0$aFrench and francophone studies. 606 $aFrench fiction$y20th century 606 $aFrench fiction$y21st century 615 0$aFrench fiction 615 0$aFrench fiction 676 $a843.008032441 700 $aKemp$b Simon$f1973-$01605805 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820332803321 996 $aFrench fiction into the twenty-first century$93931252 997 $aUNINA LEADER 03589nam 22005293 450 001 9910162691903321 005 20240727060233.0 010 $a1-939904-07-2 035 $a(CKB)3810000000102098 035 $a(MiAaPQ)EBC31553694 035 $a(Au-PeEL)EBL31553694 035 $a(EXLCZ)993810000000102098 100 $a20240727d2013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aChoctalking on Other Realities 205 $a1st ed. 210 1$aLa Vergne :$cAunt Lute Books,$d2013. 210 4$d©2013. 215 $avii, 195 pages $cillustrations ;$d22 cm 311 $a1-879960-90-7 327 $a"My Mothers, My Uncles, Myself"-A Prologue -- The Story of America, a Tribalography -- The Chaos of Angels -- Moccasins Dont Have High Heels -- How I Lost Ten Pounds -- Choctalking on Other Realities -- Carlos Castaneda Lives in Romania -- I Fuck Up in Japan -- Yaa Jordan, Yaa Ayouni -- Embodied Tribalography. 330 $a"As LeAnne Howe puts it, "The American Indian adventure stories in Choctalking on Other Realities are three parts memoir, one part tragedy, one part absurdist fiction, and one part 'marvelous realism.'" The stories in this book "form the heart of [Howe's] life's journey, so far," chronicling the contradictions, absurdities, and sometimes tragedies in a life lived crossing cultures and borders. Section one is comprised of three stories about Howe's life in the 1980s working in the bond business for a Wall Street firm. Part of an otherwise all-male group of "guerrilla warfare bond traders," Howe was the only American Indian woman, and (out) democrat, in the company. Section two is about her life in the early 1990s traveling abroad as what she calls an "International Tonto" to places like Jordan, Jerusalem, and Romania, and to Japan, where she served as an American Indian representative during the United Nations' "International Year For The World's Indigenous People." Section three reaches back into Howe's experiences in the 1950s as an "unruly Indian girl" as well as the later evolution of her political consciousness and her activism. The epilogue, "A Tribalography," is a literary discussion of how to read Native and indigenous stories. LeAnne Howe is an enrolled citizen of the Choctaw Nation and writes fiction, poetry, screenplays, and creative nonfiction, primarily dealing with American Indian experiences. In 2012 she was honored with the Lifetime Achievement Award by the Native Writers' Circle of the Americas. Her first novel Shell Shaker received an American Book Award. 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