LEADER 01201nam0 22003133i 450 001 CAG0084576 005 20170908093249.0 020 $aIT$b1934 3982 100 $a20141111d1933 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $aDall'epistolario$fGiacomo Leopardi$gscelta con prefazione e note di Benvenuto Cestaro 210 $aTorino [etc.]$cG. B. Paravia & C.$dstampa 1933 215 $aXVI, 211 p., [1] c. di tav., ritr.$d20 cm. 225 | $aBiblioteca di classici italiani 410 0$1001LO10255772$12001 $aBiblioteca di classici italiani 676 $a856$9$v21 700 1$aLeopardi$b, Giacomo$f <1798-1837>$3CFIV002049$4070$0292683 702 1$aCestaro$b, Benvenuto$f $3PALV039896 790 1$aCestaro$b, Benvenuto Clemente$3PALV051922$zCestaro, Benvenuto 801 3$aIT$bIT-NA0079$c20141111 850 $aIT-SA0200 912 $aCAG0084576 950 0$aBiblioteca Comunale Simone Augelluzzi$d 63DONO 20 B 24$e 63 0000042245 $fB $h20140320$i20140320 977 $a 63 996 $aDall'epistolario$91483751 997 $aUNISANNIO LEADER 00975nam0-22002891i-450- 001 990004619710403321 005 19990530 035 $a000461971 035 $aFED01000461971 035 $a(Aleph)000461971FED01 035 $a000461971 100 $a19990530d1994----km-y0itay50------ba 101 0 $aita 105 $ay-------10--- 200 1 $aLinguistic studies on latin$eselected papers from the 6th international colloquium on latin linguistics, Budapest, 23-27 March 1991$f[edited by] Jozsef Herman 210 $aAmsterdam$cBenjamins$dc1994. 215 $aIX, 421 p.$d23 cm 225 1 $aStudies in language companion series$v28 702 1$aHerman,$bJózsef 710 1 $aINTERNATIONAL COLLOQUIUM ON LATIN LINGUISTICS, 6., Budapest 1991.$0183386 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004619710403321 952 $aCOLL.327(28)$bBibl.17157$fFLFBC 959 $aFLFBC 996 $aLinguistic studies on latin$9552952 997 $aUNINA LEADER 03762nam 2200637 450 001 9910797430003321 005 20230906214430.0 010 $a0-7735-9767-0 010 $a0-7735-9766-2 024 7 $a10.1515/9780773597662 035 $a(CKB)3710000000462576 035 $a(EBL)3433743 035 $a(CEL)450371 035 $a(OCoLC)921534087 035 $a(CaBNVSL)thg00931511 035 $a(Au-PeEL)EBL3433743 035 $a(CaPaEBR)ebr11090614 035 $a(CaONFJC)MIL822087 035 $a(OCoLC)907096263 035 $a(VaAlCD)20.500.12592/1gpfg8 035 $a(MiAaPQ)EBC3433743 035 $a(DE-B1597)656081 035 $a(DE-B1597)9780773597662 035 $a(EXLCZ)993710000000462576 100 $a20150904h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFresh strange music $eElizabeth Barrett Browning's language /$fDonald S. Hair 210 1$aMontreal :$cMcGill-Queen's University Press,$d[2015] 210 4$d©2015 215 $a1 online resource (310 pages) 311 $a0-7735-4593-X 320 $aIncludes bibliographical references (pages [287]-294) and index. 327 $aIntroduction -- 1. An essay on mind : "immortal Locke," Bacon, and "poesy's bright beams" -- 2. "The harmony of verse" -- 3. Tongues of angels, echoes of paradise -- 4. The romance of English poetry -- 5. Speech, silence, and "perplexed music" in Poems (1844) -- 6. "My rhymatology" : rhyme, rhythm, and world harmony -- 7. The language of prophecy : Casa Guidi windows -- 8. "The rhythmic turbulence/of blood and brain" : Aurora Leigh -- 9. Blessings, curses, and sweet music -- Overview and conclusion. 330 $aElizabeth Barrett Browning evokes several figures as muses for her poetry, and one recurring type is the music master. While her writing has always been recognized as highly experimental, the influence and use of music in her work have not been fully examined. Fresh Strange Music defines the exact nature of Browning's experiments and innovations in rhythm, which she called the "animal life" of poetry, and in sound repetition, which she labelled her "rhymatology." Donald Hair approaches Elizabeth Barrett Browning's art with a focus on the power that shapes it - the technical music of her poetry and the recurring beat at the beginning of units of equal time that requires a different system of scansion than conventional metres and syllable counting. Music for Barrett Browning, Hair explains, has momentous implications. In her early poetry, it is the promoter of kindly and loving relations in families and in society. Later in her career, she makes it the basis of nation-building, in her support for the unification of Italy and, more problematically, in her championing of French emperor Napoleon III. Fresh Strange Music traces the development of Barrett Browning's poetics through all her works - from the early An Essay on Mind to Last Poems - showcasing her as a major poet, independently minded, and highly innovative in her rhythms and rhymes. 606 $3(DE-601)104689064$3(DE-588)4039002-0$aMetrik$2gnd 606 $3(DE-601)10568855X$3(DE-588)4132330-0$aRhythmus$2gnd 606 $3(DE-601)105749079$3(DE-588)4124256-7$aStil$2gnd 606 $3(DE-601)105806846$3(DE-588)4116418-0$aSchreiben$2gnd 615 7$aMetrik 615 7$aRhythmus 615 7$aStil 615 7$aSchreiben 676 $a821/.8 686 $aHL 2125$2rvk 700 $aHair$b Donald S.$0881101 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797430003321 996 $aFresh strange music$93696721 997 $aUNINA