LEADER 01471nam0 22003733i 450 001 CAG0051946 005 20170908093242.0 100 $a20130402d1960 ||||0itac50 ba 101 | $aita$ceng 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $aConcerto di campane$eracconto fantastico di campane che accompagnano la fine di un anno e l'inizio di un altro$fCharles Dickens 205 $a3. ed 210 $aModena$cEdizioni Paoline$dstampa 1960 215 $a152 p.$d18 cm. 225 | $aMaestri$v77 410 0$1001SBL0492444$12001 $aMaestri$v77 500 10$a˜The œChimes$3UBO3917686$9CFIV000404$954638 700 1$aDickens$b, Charles$3CFIV000404$4070$0154882 790 1$aDikkens$b, Čarlʹz$3BVEV032026$zDickens, Charles 790 1$aRedforth$b, Robin$3CFIV154240$zDickens, Charles 790 1$aDikens$b, Çarls$3CFIV226724$zDickens, Charles 790 0$aBoz$3NAPV106846$zDickens, Charles 790 1$aDickens$b, Charles John Huffam$3SBNV036035$zDickens, Charles 790 1$aDickens$b, Charles J. H.$3USMV623569$zDickens, Charles 790 1$aDickens$b, Carlo$3VIAV126956$zDickens, Charles 801 3$aIT$bIT-NA0079$c20130402 850 $aIT-AV0045 912 $aCAG0051946 950 0$aBiblioteca Statale di Montevergine$d MVA 019. 132$e MV 0000190405 B FD 1 v.$fT $h20130402$i20130402 977 $a MV 996 $aChimes$954638 997 $aUNISANNIO LEADER 04819nam 22007095 450 001 9910502647103321 005 20240321223448.0 010 $a9783030776817 010 $a3030776816 024 7 $a10.1007/978-3-030-77681-7 035 $a(CKB)4100000012026676 035 $a(MiAaPQ)EBC6727164 035 $a(Au-PeEL)EBL6727164 035 $a(OCoLC)1287134526 035 $a(DE-He213)978-3-030-77681-7 035 $a(EXLCZ)994100000012026676 100 $a20210914d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMetal on Merseyside $eMusic Scenes, Community and Locality /$fby Nedim Hassan 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (215 pages) 225 1 $aPalgrave Studies in the History of Subcultures and Popular Music,$x2730-9525 311 08$a9783030776800 311 08$a3030776808 327 $a1. Introduction: in the shadow of Beat city? -- 2. City of extreme metal? Characterizing Liverpool and Merseyside's relationship with metal -- 3. Venues and urban change -- 4. 'Support your scene': metal scenes, solidarity and the threat of decline -- 5. Promoting metal on Merseyside -- 6. Mediating metal on Merseyside -- 7. Performing Metal on Merseyside -- 8. Conclusion: standing in diminishing shadows. 330 $a"Liverpool is a city officially branded as the birthplace of the Beatles and recognised as the 'World Capital of Pop' by the Guinness Book of Records. Hassan brings a fresh perspective on the city's musical life and history by providing the first in-depth investigation into its 'hidden' hard rock and metal scene. Drawing on first-hand interviews and observation, the book examines the experiences of the promoters, musicians and fans who identify with the scene, their collaboration on the preparation and promotion of gigs, and the rise and fall of the venues involved. In doing so, it reveals the resilience of a scene that has endured since the late 1960s, and challenges city-branding initiatives based on narrow images of music heritage. Written in an engaging and accessible style, the book will appeal not only to students and researchers working across a range of disciplines, but also to a wider readership interested in music, place and cultural heritage." -Sara Cohen, University of Liverpool, UK This is the first book to examine the partially hidden history of metal music scenes within the city of Liverpool and the surrounding region of Merseyside in the North-West of England. It reveals that while Liverpool has historically been portrayed as a certain kind of 'music city,' metal has been marginalized within its music heritage narratives. This marginality was not inevitable. The book illustrates how it is not merely the product of historical representation but the result of forces of urban change and regional shifts in the economy of live music. Nor is this marginality inconsequential. Drawing on ethnographic research, Nedim Hassan demonstrates that it has influenced how the region's metal scenes are perceived and how people feel towards them. Metal on Merseyside reveals how various people involved with such scenes work within often challenging circumstances to sustain the production of metal music and events. He also reveals the tensions that arise as scene members' desires for an ideal metal community collide with forces of change. Metal on Merseyside is, therefore, a fascinating barometer for the contradictions apparent when people engage in creative labour to produce music that they love. Nedim Hassan is Senior Lecturer in Media and Cultural Studies at Liverpool John Moores University, UK. 410 0$aPalgrave Studies in the History of Subcultures and Popular Music,$x2730-9525 606 $aGreat Britain$xHistory 606 $aSocial history 606 $aCivilization$xHistory 606 $aMusic 606 $aEthnology 606 $aHistory of Britain and Ireland 606 $aSocial History 606 $aCultural History 606 $aMusic 606 $aEthnography 615 0$aGreat Britain$xHistory. 615 0$aSocial history. 615 0$aCivilization$xHistory. 615 0$aMusic. 615 0$aEthnology. 615 14$aHistory of Britain and Ireland. 615 24$aSocial History. 615 24$aCultural History. 615 24$aMusic. 615 24$aEthnography. 676 $a306.48426 676 $a306.48426094275 700 $aHassan$b Nedim$0853136 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910502647103321 996 $aMetal on Merseyside$92555199 997 $aUNINA