LEADER 03604nam 22007092 450 001 9910780252803321 005 20151005020623.0 010 $a0-511-10059-0 010 $a1-107-12575-8 010 $a1-280-43645-X 010 $a0-511-17656-2 010 $a0-511-04550-6 010 $a0-511-15745-2 010 $a0-511-30451-X 010 $a0-511-61355-5 010 $a0-511-01663-8 024 7 $a2027/heb06327 035 $a(CKB)111087027191008 035 $a(EBL)202208 035 $a(OCoLC)475917195 035 $a(SSID)ssj0000222690 035 $a(PQKBManifestationID)11221245 035 $a(PQKBTitleCode)TC0000222690 035 $a(PQKBWorkID)10175433 035 $a(PQKB)10892482 035 $a(UkCbUP)CR9780511613555 035 $a(Au-PeEL)EBL202208 035 $a(CaPaEBR)ebr10019083 035 $a(CaONFJC)MIL43645 035 $a(MiAaPQ)EBC202208 035 $a(dli)HEB06327 035 $a(MiU)MIU01000000000000007294861 035 $a(EXLCZ)99111087027191008 100 $a20090914d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPlaying with history $ethe historical approach to musical performance /$fJohn Butt$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (xvi, 265 pages) $cdigital, PDF file(s) 225 1 $aMusical performance and reception 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-01358-5 311 $a0-521-81352-2 320 $aIncludes bibliographical references (p. 243-252) and index. 327 $aCover; Half-title; Series-title; Title; Copyright; Contents; Preface; Acknowledgements; Abbreviations; 1 Joining the historical performance debate; 2 Historical performance and truth to the work': history and the subversion of Platonism; 3 Historical performance and truth to the composer': rehabilitating intention; 4 Negotiating between work, composer and performer: rewriting the story of notational progress; 5 Historical performance at the crossroads of modernis and postmodernism 330 $aWhy do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation. 410 0$aMusical performance and reception. 606 $aPerformance practice (Music) 606 $aMusic$xHistory and criticism 615 0$aPerformance practice (Music) 615 0$aMusic$xHistory and criticism. 676 $a781.4/311 700 $aButt$b John$0385251 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910780252803321 996 $aPlaying with history$91889388 997 $aUNINA LEADER 01074nam a2200313 i 4500 001 991004367628007536 005 20250217094023.0 008 250217s1972 it er 001 0 ita d 040 $aBibl. Dip.le Aggr. Scienze Giuridiche - Sez. Studi Giuridici$bita$cSocioculturale Scs 041 1 $aita$hfre 082 04$a327.0904$223 100 1 $aRicher, Philippe$0119882 240 13$aLa Chine et le Tiers monde 245 10$aCina e terzo mondo :$b(1949-1971) /$cPhilippe Richer 260 $aMilano :$bMazzotta,$c1972 300 $a2 volumi ;$c19 cm 490 1 $aBiblioteca di nuova cultura ;$v2.1-2.2 505 00$g1:$tLa politica estera. -$g264 p. 505 00$g2:$tGuerra di popolo e aiuti economici. -$g334 p. 651 4$aCina$xSviluppo economico$y1949-1971 700 1 $aBrunatto, Monica 700 1 $aLapasini, Gabriella 700 1 $aMiotti, Mirella 700 1 $aMonici, Renza 700 1 $aStocchi, Giulio 830 0$aBiblioteca di nuova cultura ;$v2.1-2.2 912 $a991004367628007536 996 $aChine et le tiers monde$928416 997 $aUNISALENTO