LEADER 00909nam0-22003371i-450- 001 990000513540403321 005 20120404100948.0 010 $a0-412-36740-8 035 $a000051354 035 $aFED01000051354 035 $a(Aleph)000051354FED01 035 $a000051354 100 $a20020821d1993----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $aa-------001yy 200 1 $aCeramic matrix composites$fK. K. Chawla 210 $aLondon$cChapman and Hall$dc1993 215 $a423 p.$cill.$d23 cm 610 0 $aMateriali per l'ingegneria$aCeramica 676 $a620.14 700 1$aChawla,$bK.K.$0345381 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000513540403321 952 $a10 B I 600$bL/22 DE$fDINEL 952 $a14 C.010.094$b3104$fDINMP 959 $aDINEL 959 $aDINMP 996 $aCeramic matrix composites$9331057 997 $aUNINA LEADER 00644nam a2200193 i 4500 001 991004272132807536 005 20230418100929.0 008 230418s2022 xx r 000 0 ita d 020 $a9791259941503 040 $aBibl. Dip.le Aggr. Scienze Giuridiche - Sez. Studi Giuridici$bita 082 04$a344.45 100 1 $aSandulli, Piero$0145270 245 10$aArgomenti e riflessioni in tema di giustizia sportiva /$cPiero Sandulli 260 $aRoma :$bAracne,$c2021 300 $a326 p. ;$c24 cm 650 4$aSport$xDiritto 912 $a991004272132807536 996 $aArgomenti e riflessioni in tema di giustizia sportiva$92834865 997 $aUNISALENTO LEADER 04590nam 2200397 450 001 9910724320803321 005 20230627210406.0 024 7 $a10.4000/books.enseditions.16682 035 $a(CKB)5470000002601451 035 $a(NjHacI)995470000002601451 035 $a(EXLCZ)995470000002601451 100 $a20230627d2019 uy 0 101 0 $afre 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aLe temps donne? aux tableaux $eune enque?te au muse?e Granet, augmente?e d'e?tudes sur la re?ception de la peinture et de la musique /$fJean-Claude Passeron [and four others] 210 1$aLyon :$cENS E?ditions,$d2019. 215 $a1 online resource ( 317 pages) $cillustrations (some color) 225 1 $aBibliothe?que ide?ale des sciences sociales 330 $aEn 1987, une e?quipe d'enque?teurs emmene?e par Jean-Claude Passeron et Emmanuel Pedler a suivi les visiteurs du muse?e Granet d'Aix-en-Provence, chronome?tre en main. L?objectif : mettre en e?vidence les ressorts sociaux du ±?temps donne? aux tableaux??. C?est de cette e?tude originale que rend compte cet ouvrage initialement paru en 1991, et qui a e?te? beaucoup plus souvent cite? que ve?ritablement lu. La re?e?dition qu?en propose aujourd?hui la Bibliothe?que ide?ale des sciences sociales est augmente?e de plusieurs textes importants dans lesquels les deux sociologues ont poursuivi ces analyses sur la re?ception des ?uvres artistiques, a? la fois dans le domaine pictural et dans le domaine musical. S?attachant a? de?crire et mesurer pre?cise?ment les ±?pactes?? de re?ception artistique qui se nouent ainsi entre les ?uvres et leurs publics, l?ensemble propose une approche centre?e sur le sort re?serve? a? des ?uvres singulie?res, qui se distingue des enque?tes sur la consommation culturelle encore aujourd?hui largement dominantes en sociologie de la culture. 330 $aThe sociology of the reception of artistic works attempts to exploit the fact - often mentioned in theoretical terms but rarely explored empirically - that works only exist and last because of the interpretative activity of their viewers: readers and spectators are always present as third parties placed between the meaning which the artist gave to their work and that which is attributed by those whose receive it. In order to apprehend such acts of reception a team of researchers lead by Jean-Claude Passeron and Emmanuel Pedler in 1987 followed visitors to the Muse?e Granet in Aix-en Provence chronometer in hand. Their aim was to uncover the social factors which underlie the 'time given to the paintings'. Since its publication in 1991 the present work, which gave an account of the original study, has been cited rather more often that it has been read. Now reedited in the Bibliothe?que ide?ale des sciences sociales it has been augmented by several important articles in which the authors of the original study pursued their analysis of the reception of artistic works, both in the fields of both pictures and music. In an attempt to describe and measure precisely the 'pacts' of reception that are created between the works of art and their public, the ensemble proposes a sociology centred on the fate of singular works which is different from the sociology of cultural consumption which currently dominates sociological surveys of culture. As an attempt to identify the semic acts of aesthetic experience by identifying them with objective indicators it positins itself firmly within the sociology of inquiry. In addition to this collection of texts, a long interview with Jean-Claude Passeron and Emmanuel Pedler allows readers to discover the general perspective in which this exemplary survey was carried out and how it influenced their subsequent work. Finally, and perhaps the post original aspect of the reedition, it provides readers with the original data of the survey, thus allowing them to prolong the authors' analyses and to explore further the avenues opened by an approach whose fertility heuristic is as pertinent as it ever was. 410 0$aBibliothe?que ide?ale des sciences sociales. 606 $aArt and society 606 $aPainting$xAppreciation 615 0$aArt and society. 615 0$aPainting$xAppreciation. 676 $a701.03 700 $aPasseron$b Jean-Claude$045205 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910724320803321 996 $aLe temps donne? aux tableaux$93390237 997 $aUNINA