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100 1 $aDull, Olga Anna$0458529
245 10$aFolie et rhétorique dans la sottie /$cOlga Anna Dull
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300   $a225 p. ;$c23 cm
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650  4$aTeatro comico francese$ySec. 15.-16.
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100   $a20160425h20172017  uy|            0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe ambivalent legacy of Elia Kazan $ethe politics of the post-HUAC films /$fRon Briley
210  1$aLanham :$cRowman & Littlefield,$d[2017]
210  4$d©2017
215   $a1 online resource (277 pages)
225 1 $aFilm and history
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a1-4422-7167-1 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976).
410  0$aFilm and history (Lanham, Md.)
606   $aMotion picture producers and directors$xPolitical activity$zUnited States
606   $aMotion pictures$xPolitical aspects$zUnited States$xHistory$y20th century
606   $aCommunism and motion pictures$zUnited States
615  0$aMotion picture producers and directors$xPolitical activity
615  0$aMotion pictures$xPolitical aspects$xHistory
615  0$aCommunism and motion pictures
676   $a791.4302/33092
700   $aBriley$b Ron$f1949-$01211984
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910818752503321
996   $aThe ambivalent legacy of Elia Kazan$94122670
997   $aUNINA