LEADER 01384nam a2200289 i 4500 001 991004112999707536 005 20020506113556.0 008 980623s1986 it ||| | ita 035 $ab10605320-39ule_inst 035 $aEXGIL133550$9ExL 040 $aBiblioteca Interfacoltà$bita 110 2 $aBiblioteca di storia moderna e contemporanea$0183282 245 10$aQuotidiani italiani e stranieri dal 1944 al 1985 posseduti da Biblioteche di Roma :$bcatalogo collettivo /$ca cura di Simonetta Quercia Varisco e Marisa Ciranni 260 $aRoma :$bIstituto poligrafico e Zecca dello Stato,$c1986 300 $a98 p. ;$c24 cm. 500 $aIn testa al front.: Biblioteca di storia moderna e contemporanea. 650 4$aGiornali$y1944-1985$xCataloghi 650 4$aRoma$xBiblioteche$xCataloghi collettivi 700 1 $aQuercia Varisco, Simonetta 700 1 $aCiranni, Marisa 907 $a.b10605320$b02-04-14$c27-06-02 912 $a991004112999707536 945 $aLE002 A Bibl. 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Corso di laurea in Matematica,$ca.a. 1987-88 650 4$aSemigroups 700 1 $aLetizia, Angiola 907 $a.b10817839$b02-04-14$c28-06-02 912 $a991001223709707536 945 $aLE013 TES 1987/88 REN1$g1$iLE013N-827$lle013$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10924565$z28-06-02 996 $aPartizioni ed immagini omomorfe. Tesi di laurea$9925131 997 $aUNISALENTO 998 $ale013$b01-01-93$cm$da $e-$feng$gxx $h0$i1 LEADER 03659nam 22005892 450 001 9910164058603321 005 20230621141504.0 010 $a1-78138-596-3 010 $a1-78138-729-X 035 $a(CKB)3710000000340260 035 $a(StDuBDS)EDZ0000982857 035 $a(UkCbUP)CR9781781385968 035 $a(OCoLC)900208002 035 $a(MdBmJHUP)muse82841 035 $a(Au-PeEL)EBL4792827 035 $a(CaPaEBR)ebr11333998 035 $a(CaONFJC)MIL990008 035 $a(ScCtBLL)920ce27f-a770-4dcf-b110-b9b271c9feff 035 $a(Au-PeEL)EBL6898683 035 $a(MiAaPQ)EBC4792827 035 $a(MiAaPQ)EBC6898683 035 $a(PPN)266626629 035 $a(EXLCZ)993710000000340260 100 $a20170307d2014|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBorrowed forms $ethe music and ethics of transnational fiction /$fKathryn Lachman$b[electronic resource] 210 1$aLiverpool :$cLiverpool University Press,$d2014. 215 $a1 online resource (viii, 206 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 07 Jul 2017). 311 $a1-78138-030-9 320 $aIncludes bibliographical references (pages 175-206) and index. 330 $aBorrowed Forms examines the use of music by contemporary novelists and critics from across the Francophone, Anglophone, and Hispanophone worlds. Through readings of Nancy Huston, Maryse Conde?, J. M. Coetzee, Assia Djebar, Julio Corta?zar, and other late twentieth-century novelists, the book shows how writers deploy musical strategies to expand the possibilities of the novel in response to the demands of transnational citizenship. The book transcends disciplinary boundaries, to reveal the entanglement of musical and narrative forms in ethical, historical, and political questions.Critics from Mikhail Bakhtin to Edward Said established musical forms as an indispensable framework for understanding the novel. This study argues that the turn to music in late twentieth century fiction is linked to new questions of authority and representation, as writers seek to democratize the novel, to bring marginalized voices into fiction, to articulate increasingly hybrid subjectivities, and to negotiate the conflicting histories of the diverse groups that make up today's multicultural societies. The book traces the influence of four musical concepts on theory and the contemporary novel: polyphony, or the art of combining multiple, equal voices; counterpoint, the carefully regulated setting of one voice against another; variations, the virtuosic exploration of a given theme; and opera, the dramatic setting of a story to a musical score. 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