LEADER 00902nam0-2200301---450- 001 990005659210403321 005 20101014141751.0 035 $a000565921 035 $aFED01000565921 035 $a(Aleph)000565921FED01 035 $a000565921 100 $a19990604d1926----km-y0itay50------ba 101 0 $ager 105 $ay-------001yy 200 1 $a<>aktive und passive Menschentypus in neuerer Philosophie und Mystik$fvon Elsa Stechert 210 $aDessau$cDünnhaupt$d1926 215 $a70 p.$d24 cm 610 0 $aMisticismo 610 0 $aPersonalità$aFilosofia 676 $a126 700 1$aStechert,$bElsa$0217803 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a990005659210403321 952 $aP.1 FG 2034$bIST.ST.FIL. 2069$fFLFBC 959 $aFLFBC 996 $aAktive und passive Menschentypus in neuerer Philosophie und Mystik$9600596 997 $aUNINA LEADER 01005nam a22002531i 4500 001 991004068499707536 005 20040716074956.0 008 040802s1948 fr |||||||||||||||||fre 035 $ab13167959-39ule_inst 035 $aARCHE-112056$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a784.0944 100 1 $aBéon, Alexandre$0490802 245 10$aChansons du XVe siècle :$bharmonisée à quatre voix mixtes /$cpar Alexandre Béon 260 $aParis ;$aBruxelles :$bHenry Lemoine,$c1948 300 $av. ;$c27 cm 440 0$aCollection de musique ancienne ;$v5 650 4$aCanzoni francesi$ySec. 15. 907 $a.b13167959$b02-04-14$c05-08-04 912 $a991004068499707536 945 $aLE002 Fondo Giudici Busta 22/005$g1$i2002000749239$lle002$nC. 1$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i1380764x$z05-08-04 996 $aChansons du XVe siècle$9312132 997 $aUNISALENTO 998 $ale002$b05-08-04$cm$da $e-$ffre$gfr $h0$i1 LEADER 04041nam 2200589Ia 450 001 9910778690303321 005 20230721023345.0 010 $a1-282-39671-4 010 $a9786612396717 010 $a90-474-4211-3 035 $a(CKB)1000000000821903 035 $a(EBL)468423 035 $a(OCoLC)609847273 035 $a(SSID)ssj0000364112 035 $a(PQKBManifestationID)11284972 035 $a(PQKBTitleCode)TC0000364112 035 $a(PQKBWorkID)10394374 035 $a(PQKB)11571757 035 $a(MiAaPQ)EBC468423 035 $a(OCoLC)614050758 035 $a(nllekb)BRILL9789047442110 035 $a(Au-PeEL)EBL468423 035 $a(CaPaEBR)ebr10355196 035 $a(CaONFJC)MIL239671 035 $a(EXLCZ)991000000000821903 100 $a20060322d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAjanta$b[electronic resource] $ehistory and development$hVolume four$iPainting, sculpture, architecture year by year /$fby Walter M. Spink 210 $aLeiden ;$aBoston $cBrill$d2009 215 $a1 online resource (374 p.) 225 1 $aHandbook of oriental studies. Section two, India,$x0169-9377 ;$vv. 18/4 300 $aVol. 6: by Walter M. Spink (text) and Naomichi Yaguchi (photographs). 311 $a90-04-14983-X 320 $aIncludes bibliographical references. 327 $tPreliminary Material /$rW. Spink -- The earliest caves (c. 100 bce to c. 150 ce) /$rW. Spink -- 460 Ajanta?s Vakataka Renaissance conceived /$rW. Spink -- 461 Planning begun at the Vakataka courts and at Ajanta itself /$rW. Spink -- 462 Excavations begin at the site /$rW. Spink -- 463/464/465 Early developments and decisions /$rW. Spink -- 466 A signal year for innovations at the site /$rW. Spink -- 467 Work continues in normal course /$rW. Spink -- 468 Ajanta?s first Buddha images /$rW. Spink -- 469 (Early): The privileged Lesser caves? shrines made (Lower 6, 7,11, 15) /$rW. Spink -- Prime Minister Varahadeva?s cave 16 /$rW. Spink -- 469?471: King Upendragupta?s caves 17, 19, 20, 29 /$rW. Spink -- 469?471 (+475?477): The Emperor Harisena?s cave 1 flourishes /$rW. Spink -- Evolution of cell doorway fittings from 468 through 471 /$rW. Spink -- The hiatus (472?474): the period of conflict and Asmaka takeover /$rW. Spink -- 475?478 Asmaka control of the site /$rW. Spink -- The impact of Bagh /$rW. Spink -- Aspects of patronage /$rW. Spink -- The decoration of the caves /$rW. Spink -- The primacy of cave 1 /$rW. Spink -- The cave 1 Buddha and the death of Harisena (Late 477) /$rW. Spink -- The traumas of 478 /$rW. Spink -- The period of disruption (479?480) /$rW. Spink -- Late 480: The end of patronage /$rW. Spink -- A brief appreciation /$rW. Spink -- Plates 1?122 /$rW. Spink -- Plans and charts /$rW. Spink. 330 $aAjanta: Year by Year is planned as a biography of this remarkable site, starting with the earliest caves, dating from some two thousand years, to its startling renaissance in the brief period between approximately 462 and 480. Concentrating on the excavations of the later period, during the reign of the Vakataka emperor Harisena, it attempts to show how, after a surprising gap of some three hundred years, Ajanta?s proud and pious courtly patrons and its increasingly committed workmen created not only the greatest but the latest monument of India?s Golden Age. Nearly three hundred illustrations, in color and black and white, reveal the exuberant flowering of Ajanta and related Vakataka monuments, as well as the manner of their sudden demise. 410 0$aHandbuch der Orientalistik.$nZweite Abteilung,$pIndien ;$v18. Bd., 4. Abschnitt. 607 $aAjanta Caves (India)$xHistory 676 $a726 676 $a726.143095479 700 $aSpink$b Walter M$0668153 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778690303321 996 $aAjanta$93724919 997 $aUNINA