LEADER 01348nam--2200397---450- 001 990003611030203316 005 20120116153908.0 010 $a88-14-15284-5 035 $a000361103 035 $aUSA01000361103 035 $a(ALEPH)000361103USA01 035 $a000361103 100 $a20120116d2011----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aResponsabilità e pena: un tema etico nella scienza del diritto civile (secoli XII-XIV)$fMario Conetti 210 $aMilano$cGiuffrè$d2011 215 $aXII, 212 p.$d24 cm 225 2 $aFacoltà di Giurisprudenza$fUniversità degli studi dell'Insubria$v38 410 0$12001$aFacoltà di Giurisprudenza$fUniversità degli studi dell'Insubria$v, 38 410 0$12001 454 1$12001 461 1$1001-------$12001 606 0 $aResponsabilità penale$xConcezione$zSec. 13.-14.$2BNCF 676 $a345.0401 700 1$aCONETTI,$bMario$0163358 801 0$aIT$bsalbc$gISBD 912 $a990003611030203316 951 $aXXVI.1.C. 825$b70524 G.$cXXVI.1.C.$d00305354 959 $aBK 969 $aGIU 979 $aFIORELLA$b90$c20120116$lUSA01$h1531 979 $aFIORELLA$b90$c20120116$lUSA01$h1539 996 $aResponsabilità e pena: un tema etico nella scienza del diritto civile (secoli XII-XIV$91137484 997 $aUNISA LEADER 03892nam 2200649 450 001 9910455500803321 005 20200520144314.0 010 $a1-282-00293-7 010 $a9786612002939 010 $a1-4426-7715-5 024 7 $a10.3138/9781442677159 035 $a(CKB)2420000000004189 035 $a(SSID)ssj0000302820 035 $a(PQKBManifestationID)11249142 035 $a(PQKBTitleCode)TC0000302820 035 $a(PQKBWorkID)10274858 035 $a(PQKB)10261235 035 $a(CaBNvSL)slc00209577 035 $a(MiAaPQ)EBC3254990 035 $a(MiAaPQ)EBC4671717 035 $a(DE-B1597)464644 035 $a(OCoLC)944177871 035 $a(DE-B1597)9781442677159 035 $a(Au-PeEL)EBL4671717 035 $a(CaPaEBR)ebr11257417 035 $a(OCoLC)958572068 035 $a(EXLCZ)992420000000004189 100 $a20160921h19951995 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA measured pace $etoward a philosophical understanding of the arts of dance /$fFrancis Sparshott 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1995. 210 4$d©1995 215 $axviii, 580 p. ;$d24 cm 225 1 $aToronto Studies in Philosophy 300 $aSequel to: Off the ground. 311 $a0-8020-0510-1 311 $a0-8020-6946-0 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tPreface -- $t1. Introduction -- $t2. The Problem of Classification -- $t3. Classification by Context -- $t4. Mimesis -- $t5. Expression -- $t6. Formal Principles of Movement -- $t7. Anatomy -- $t8. Units and Systems -- $t9. Rhythm -- $t10. One and Many -- $t11. Modes of Dance Organization -- $t12. Dance and Music -- $t13. Dance and Language -- $t14. Dance and Theatre -- $t15. Dance Values -- $t16. Dancer and Spectator -- $t17. Learning to Dance -- $t18. Dance and Choreography -- $t19. The Identity of a Dance -- $t20. Recording Dance -- $t21. Conclusion -- $t22. Afterword: The Three Graces -- $tNotes -- $tReferences -- $tIndex 330 $aAlthough the theoretical importance of dance has always been recognized, dance has been relatively neglected in the philosophy of art. In this sequel to Off the Ground, in which Professor Sparshott focused on the concept of dance in general, A Measured Pace considers the recognized classification of dance as art, its values, and relationship to the other arts.Sparshott begins with an explanation of the philosophical importance of the major classifications of dance and their basis. He examines dance as a mimetic and expressive medium, and reviews the major dimensions of dance form. He then explores the relationship of dance to three related fields: music, language, and theatre. Sparshott also discusses the major philosophical problems of dance as an art: the specific values of dance; the relation between the way the audience perceives dance and the dancer's self-perception; the ways in which dancing and dances are learned; the division of artistic creation between choreographers and performers; and the ways in which dances are identified and retain their identity through time. 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