LEADER 01025nam a2200253 a 4500 001 991004009399707536 008 020 $a2256910431 035 $ab11897181-39ule_inst 040 $aDip.to Lingue $bita 100 1 $aAllemand, Roger-Michel$0185076 245 13$aLe Nouveau Roman en questions 4 :$bsituation diachronique ;$ctextes reunis et presentes par Roger-Michel Allemand 260 $aParis-Caen :$bLettres modernes minard,$cc2002 300 $a278 p.$c19 cm. 500 $aVolume publie avec le concours du Centre National du Livre 650 14$aNouveau Roman$xStoria e critica 730 3 $aLa revue des lettres modernes 830 2$aL'icosatheque,$n20 907 $a.b11897181$b21-09-06$c18-02-03 912 $a991004009399707536 945 $aLE012 843.914 09 ALL 3 $g1$i2012000036352$lle012$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12159086$z18-02-03 996 $aRevue des lettres modernes$940761 997 $aUNISALENTO 998 $ale012$b - - $cm$da $e-$ffre$git $h3$i1 LEADER 03869nam 22006852 450 001 9910144132003321 005 20230621141057.0 010 $a9786611787684 010 $a1-281-78768-X 010 $a90-485-0672-7 024 7 $a10.1515/9789048506729 035 $a(CKB)1000000000554264 035 $a(EBL)419760 035 $a(OCoLC)302054348 035 $a(SSID)ssj0000154783 035 $a(PQKBManifestationID)11162753 035 $a(PQKBTitleCode)TC0000154783 035 $a(PQKBWorkID)10417640 035 $a(PQKB)10481296 035 $a(DE-B1597)532757 035 $a(DE-B1597)9789048506729 035 $a(UkCbUP)CR9789048506729 035 $a(Au-PeEL)EBL419760 035 $a(CaPaEBR)ebr10302755 035 $a(CaONFJC)MIL178768 035 $a(MiAaPQ)EBC419760 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28568 035 $a(EXLCZ)991000000000554264 100 $a20210107d2007|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilm festivals $efrom European geopolitics to global cinephilia /$fMarijke de Valck$b[electronic resource] 210 $cAmsterdam University Press$d2007 210 1$aAmsterdam :$cAmsterdam University Press,$d2007. 215 $a1 online resource (276 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 15 Jan 2021). 311 $a90-5356-216-8 311 $a90-5356-192-7 320 $aIncludes bibliographical references (p. [249]-260) and indexes. 327 $aIntroduction : film festivals as sites of passage -- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- 2. Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- 3. Venice and the value-adding process : the role of mediation, segregation and agenda setting -- 4. Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network. 330 $a