LEADER 02248nam 2200529 450 001 9910466054603321 005 20200520144314.0 010 $a3-11-160137-4 024 7 $a10.1515/9783111601373 035 $a(CKB)3710000000772930 035 $a(MiAaPQ)EBC5049238 035 $a(DE-B1597)61877 035 $a(OCoLC)979756368 035 $a(DE-B1597)9783111601373 035 $a(Au-PeEL)EBL5049238 035 $a(CaPaEBR)ebr11565669 035 $a(OCoLC)1038487355 035 $a(EXLCZ)993710000000772930 100 $a20180816d1977 uy 0 101 0 $ager 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHandbuch Vereinte Nationen /$fhrsg. von Ru?diger Wolfrum, Norbert J. Prill, Jens A. Bru?ckner 205 $a1. Auflage. 210 1$aMu?nchen :$cVerlag Dokumentation,$d1977. 215 $a1 online resource (xxiv, 577 pages) 300 $a"Eine Ve?ro?ffentlichung der Forschungsstelle der Deutschen Gesellschaft fu?r die Vereinten Nationen, Bonn/Berlin." 311 $a3-7940-2248-3 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tVorwort -- $tInhaltsübersicht -- $tHinweise für den Benutzer -- $tStichwortverzeichnis -- $tAbkürzungsverzeichnis -- $tABC-Waffen - Frauenrechte -- $tFriedens- und Kriegsbegriff - Internationale Organisationen, Theorie der -- $tIntervention - Organisationssystem der Vereinten Nationen -- $tOst-West-Konflikt - Suchtstoffe -- $tSüdliches Afrika - Völkerrecht durch Vereinte Nationen -- $tWeltbevölkerung - Zypern -- $tAnhang - Dokumentenwegweiser -- $tVerzeichnis der Autoren -- $tBackmatter 606 $aLANGUAGE ARTS & DISCIPLINES / General$2bisacsh 608 $aElectronic books. 615 7$aLANGUAGE ARTS & DISCIPLINES / General. 676 $a341.2303 702 $aWolfrum$b Ru?diger 702 $aPrill$b Norbert J.$f1946- 702 $aBru?ckner$b Jens A. 712 02$aDeutsche Gesellschaft fu?r die Vereinten Nationen.$bForschungsstelle. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466054603321 996 $aHandbuch Vereinte Nationen$92485491 997 $aUNINA LEADER 07330nam 22005291c 450 001 9910511651603321 005 20200115203623.0 010 $a1-4742-8882-0 010 $a1-4742-8884-7 010 $a1-4742-8883-9 024 7 $a10.5040/9781474288842 035 $a(CKB)4100000004836937 035 $a(MiAaPQ)EBC5358468 035 $a(MiAaPQ)EBC6164828 035 $a(OCoLC)1138517613 035 $a(UtOrBLW)bpp09261581 035 $a(EXLCZ)994100000004836937 100 $a20180302d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aScribbling through history $egraffiti, places and people from antiquity to modernity $fedited by Chloe? Ragazzoli ... [and others] 210 1$aLondon, UK $aNew York, NY $cBloomsbury Academic $d2017. 215 $a1 online resource (265 pages) 311 $a1-350-12238-6 311 $a1-4742-8881-2 320 $aIncludes bibliographical references and index 327 $aThe scribes' cave : graffiti and the production of social space in ancient Egypt circa 1500 BCE / C. Ragazzoli -- Christian graffiti in Egypt : case studies on the Theban mountain / A. Delattre -- Graffiti or monument? : inscription of place at Anatolian rock reliefs / O?. Harmansah -- Tweets from antiquity : literacy, graffiti, and their uses in the towns and deserts of ancient Arabia / M. Macdonald -- Gezi graffiti : shout-outs to resistance and rebellion in contemporary Turkey / C. Gruber -- Gladiators, greetings, and poetry : graffiti in first century Pompeii / R. Benefiel -- A new look at Maya graffiti from Tikal / E. Olton -- Visitors' inscriptions in the Memphite pyramid complexes in ancient Egypt (c. 1543-1292 BC) / H. Navratilova -- Carving lines and shaping monuments : mortuary graffiti and Jews in the ancient Mediterranean / K. Stern -- Verses on walls in medieval China / G. Dudbridge -- Graffiti and the medieval margin / J. Rogers -- Graffiti under control : annotation practices in social book platforms / M. Jahjah 327 $aPreface (C. Ragazzoli, Universite? de Paris-Sorbonne, France) -- Introduction (C. Ragazzoli, O. Harmansah, C. Salvador) -- -- Part 1: Graffiti and the Landscape (with an introduction by O. Harmansah) -- -- Chapter 1: The Scribes' Cave: Graffiti and the Production of Social Space in Ancient Egypt circa -- 1500 BC -- (C. Ragazzoli, Universite? de Paris-Sorbonne, France) -- -- -- Chapter 2: Christian Graffiti in Egypt: Case Studies on the Theban Mountain -- (A. Delattre, Universite? libre de Bruxelles (ULB), E?cole pratique des hautes e?tudes (EPHE), Belgium) -- -- -- Chapter 3: Graffiti or Monument? Inscription of Place at Anatolian Rock Reliefs -- (O?. Harmansah, University of Illinois at Chicago, USA) -- -- -- Chapter 4: Tweets from Antiquity: Literacy, Graffiti, and Their Uses in the Towns and Deserts of Ancient Arabia -- (M. Macdonald, University of Oxford, UK) -- -- -- Chapter 5: Gezi Graffiti: Shout-Outs to Resistance and Rebellion in Contemporary Turkey -- (C. Gruber, University of Michigan, Ann Arbor) -- -- Part 2: Graffiti and the Wall (with an introduction by C. Salvador) -- -- Chapter 6: Gladiators, Greetings, and Poetry: Graffiti in First Century Pompeii -- (R. Benefiel, Washington and Lee University, USA) -- -- -- Chapter 7: A New Look at Maya Graffiti from Tikal -- (E. Olton, Institute of American Indian Arts, Santa Fe, New Mexico, USA) -- -- -- Chapter 8: Visitors' Inscriptions in the Memphite Pyramid Complexes in Ancient Egypt (c. 1543-1292 BC) -- (H. Navratilova, Metropolitan Museum of Art, Egyptian Expedition) -- -- -- Chapter 9: Carving Lines and Shaping Monuments: Mortuary Graffiti and Jews in the Ancient Mediterranean -- (K. Stern, Brooklyn College, USA) -- -- Part 3: Graffiti and the Written Page (with an introduction by C. Ragazzoli) -- -- Chapter 10: Verses on Walls in Medieval China -- (G. Dudbridge, University of Oxford, UK) -- -- -- Chapter 11: Graffiti and the Medieval Margin -- (J. Rogers, Mount Allison University, Canada) -- -- -- Chapter 12: Graffiti under Control: Annotation Practices in Social Book Platforms -- (M. Jahjah, Universite? de Paris-Sorbonne, France) -- -- Bibliography -- Index 330 $a"For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture, and graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks. This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood."--Bloomsbury Publishing 330 8 $aFor most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture: graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks. This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood 606 $aGraffiti$xHistory$yTo 1500 606 $2Ancient Egypt 606 $aInscriptions, Ancient 615 0$aGraffiti$xHistory 615 0$aInscriptions, Ancient. 676 $a411/.7 702 $aRagazzoli$b Chloe? 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910511651603321 996 $aScribbling through history$92549590 997 $aUNINA LEADER 00837nam a2200241 i 4500 001 991003844149707536 005 20020509133108.0 008 000220s1972 it ||| | ita 035 $ab1122311x-39ule_inst 035 $aPARLA189610$9ExL 040 $aDip.to Filosofia$bita 082 0 $a177 100 1 $aCacioppo, Giovanni$0159162 245 10$aNonviolenza come educazione /$cGiovanni Cacioppo 260 $aManduria (Taranto) :$bLacaita,$c1972 300 $a141 p. ;$c20 cm. 490 0 $aSocietà e utopia ;$v4 907 $a.b1122311x$b23-02-17$c01-07-02 912 $a991003844149707536 945 $aLE005IF XXIX A 47$g1$i2005000107047$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11377240$z01-07-02 996 $aNonviolenza come educazione$9215403 997 $aUNISALENTO 998 $ale005$b01-01-00$cm$da $e-$fita$git $h0$i1 LEADER 01164nam0 22002893i 450 001 VAN00122656 005 20240806100811.424 010 $a88-317-5257-X 100 $a20190715d1990 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aRiflessioni sulla storia$fWitold Kula$ga cura di Marta Herling$gintroduzione di Bronislaw Baczko 210 $aVenezia$cMarsilio$d1990 215 $aXXXIV, 234 p.$d22 cm. 410 1$1001VAN00002091$12001 $aSaggi Marsilio. 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