LEADER 01200nam a2200289 i 4500 001 991003838889707536 008 080731s2000 it 001 0 ita d 020 $a8883630939 035 $ab1375936x-39ule_inst 040 $aSet. Economia$bita 041 $aita$heng 082 $a658.812 100 1 $aPeppers, Don$0145700 240 4$athe one to one fieldbook 245 13$aIl marketing one to one :$bmanuale operativo di marketing di relazione /$cDon Peppers, Martha Rogers, Bob Dorf ; prefazione all'edizione italiana di Antonino Busacca 260 $aMilano :$bIl-sole 24 ore,$c2000 300 $axxix, 368 p. ;$c23 cm 650 04$aMarketing$xStrategia 650 04$aRiceche di mercato$xStrategia 700 1 $aRogers, Martha$eauthor$4http://id.loc.gov/vocabulary/relators/aut$0145701 700 1 $aDorf, Bob$eauthor$4http://id.loc.gov/vocabulary/relators/aut$0739381 907 $a.b1375936x$b23-03-16$c31-07-08 912 $a991003838889707536 945 $aLE025 ECO 658.8 PEP01.01$g1$i2025000107540$lle025$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i14814213$z31-07-08 996 $aOne to one fieldbook$91464634 997 $aUNISALENTO 998 $ale025$b31-07-08$cm$da $e-$fita$git $h4$i0 LEADER 03143oam 2200553I 450 001 9910154604003321 005 20230808200730.0 010 $a1-351-92299-8 010 $a1-138-24940-8 010 $a1-315-25075-6 024 7 $a10.4324/9781315250755 035 $a(CKB)3710000000965855 035 $a(MiAaPQ)EBC4758623 035 $a(OCoLC)965542795 035 $a(BIP)63368191 035 $a(BIP)13099270 035 $a(EXLCZ)993710000000965855 100 $a20180706e20162007 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aLaughing and weeping in early modern theatres /$fMatthew Steggle 210 1$aLondon :$cRoutledge,$d2016. 215 $a1 online resource (173 pages) $cillustrations 225 1 $aStudies in Performance and Early Modern Drama 300 $aFirst published 20070 by Ashgate Publishing. 311 08$a0-7546-5702-7 311 08$a1-351-92300-5 320 $aIncludes bibliographical references and index. 327 $a1. Renaissance constructions of laughter and weeping -- 2. Laughing on stage -- 3. Weeping on stage -- 4. Audiences laughing -- 5. Audiences weeping -- 6. Soft smiling? : Lyly and Jonson -- 7. Horrid laughter -- 8. Shakespeare's theatre of sympathy. 330 $aDid Shakespeare's original audiences weep? Equally, while it seems obvious that they must have laughed at plays performed in early modern theatres, can we say anything about what their laughter sounded like, about when it occurred, and about how, culturally, it was interpreted? Related to both of these problems of audience behaviour is that of the stage representation of laughing, and weeping, both actions performed with astonishing frequency in early modern drama. Each action is associated with a complex set of non-verbal noises, gestures, and cultural overtones, and each is linked to audience behaviour through one of the axioms of Renaissance dramatic theory: that weeping and laughter on stage cause, respectively, weeping and laughter in the audience. This book is a study of laughter and weeping in English theatres, broadly defined, from around 1550 until their closure in 1642. It is concerned both with the representation of these actions on the stage, and with what can be reconstructed about the laughter and weeping of theatrical audiences themselves, arguing that both actions have a peculiar importance in defining the early modern theatrical experience. 410 0$aStudies in performance and early modern drama. 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aLaughter in literature 606 $aCrying in literature 615 0$aEnglish drama$xHistory and criticism. 615 0$aLaughter in literature. 615 0$aCrying in literature. 676 $a822.309/353 700 $aSteggle$b Matthew.$0893655 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154604003321 996 $aLaughing and weeping in early modern theatres$92243617 997 $aUNINA