LEADER 00993cam0-2200349---450- 001 990005808360403321 005 20140429115203.0 010 $a88-7380-295-8 035 $a000580836 035 $aFED01000580836 035 $a(Aleph)000580836FED01 035 $a000580836 100 $a19990604d1994----km-y0itay50------ba 101 0 $aita$alat 102 $aIT 105 $ay-------001yy 200 1 $aVita di Barbato$fa cura di Marina Montesano 210 $aParma$cPratiche editrice$dc1994 215 $a85 p.$d18 cm 225 1 $aBiblioteca medievale$v36 500 11$aVita Barbati$m$956208 610 0 $aLongobardi$aItalia meridionale$aSec.7. 610 0 $aLongobardi$aSec. 7.$aStoria$aFonti 676 $a270.2092 702 1$aMontesano,$bMarina 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005808360403321 952 $a270.209 MON 1$b6278 DFM$fFLFBC 959 $aFLFBC 996 $aVita Barbati$956208 997 $aUNINA LEADER 00957nam0-22002771i-450- 001 990001675920403321 005 20050927162615.0 035 $a000167592 035 $aFED01000167592 035 $a(Aleph)000167592FED01 035 $a000167592 100 $a20030910d1885----km-y0itay50------ba 101 0 $aita 200 1 $aDecreto e regolamento...concernenti l'amministrazione del patrimonio e la contabilità generale dello Stato - 4 maggio 1885 - n. 3074$fItalia 210 $aTorino$cStamp. 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Keeping Beats --$t2. Pushing the Envelope --$t3. Cutting from the Gut --$t4. Sensing Psychology --$t5. Capturing the Feeling --$t6. Speaking Cinema --$t7. Editing the Self --$t8. Pointing to the Middle --$t9. Honoring Lives --$t10. Weighing the Gold --$t11. Making It Work --$t12. Striking the Balance --$tBibliography --$tIndex 330 $aFirst Cut 2: More Conversations with Film Editors presents a new collection of twelve interviews with award-winning film editors who discuss the art and craft of editing in the twenty-first century. As a follow-up to the successful First Cut: Conversations with Film Editors (now celebrating its 20th anniversary), this new volume explores the transition of editing from the age of celluloid to the digital age. These extraordinarily articulate editors share their passion about film, offer detailed practical examples from their films to explain their process as well as their challenges, and imbue each interview with unique personality, humor, and cinematic insights. First Cut 2 continues the tradition of the first volume by interviewing both fiction and documentary editors, contributing to a rich, holistic appreciation of editing. It also introduces a significant interview with an independent filmmaker/editor to emphasize today's multiple opportunities for aspiring filmmakers to make their own "small films" and achieve success. Together with the first volume, First Cut 2 offers a panoramic survey of film editing and preserves its history through the voices of its practitioners. The stories told will engage students, inform general filmgoers, and even enlighten industry professionals. 517 3 $aFirst cut two 606 $aMotion pictures$xEditing 606 $aMotion picture editors$vInterviews 610 $a21st century. 610 $aaspiring filmmakers. 610 $aaward winners. 610 $acinema and film. 610 $acinematic insights. 610 $adigital age. 610 $adocumentary film. 610 $aediting. 610 $aeditorial process. 610 $afilm buffs. 610 $afilm editing. 610 $afilm editors. 610 $afilm historians. 610 $afilm history. 610 $afilm industry. 610 $afilm production. 610 $afilm scholars. 610 $afilm students. 610 $afilm studies. 610 $afilm theory. 610 $afilmmaking process. 610 $aindependent filmmakers. 610 $ainterviews. 610 $amedia studies. 610 $amodern film. 610 $amovie buffs. 610 $anonfiction. 610 $apsychology. 610 $atheatrical productions. 615 0$aMotion pictures$xEditing. 615 0$aMotion picture editors 676 $a777/.55 700 $aOldham$b Gabriella$0914536 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779251803321 996 $aFirst cut 2$92643610 997 $aUNINA