LEADER 00933nam0-22003251i-450- 001 990002586930403321 010 $a0-8039-5486-7 035 $a000258693 035 $aFED01000258693 035 $a(Aleph)000258693FED01 035 $a000258693 100 $a20000920d1995----km-y0itay50------ba 101 0 $aENG 200 1 $aMultiple attibute decision making$ean introduction$fK. Paul Yoon, Ching-Lai Hwang. 210 $aThousand Oaks$cSage$d1995. 215 $avii, 75 p.$d22 cm 225 1 $aQuantitative applications in the social sciences$v104 610 0 $aSerie 610 0 $aModelli matematici 676 $a658.4 700 1$aYoon,$bPaul K.$0368543 702 1$aHwang,$bChing-Lai 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002586930403321 952 $aXXIX-D-97$b3734$fMAS 959 $aMAS 996 $aMultiple attibute decision making$9434992 997 $aUNINA DB $aING01 LEADER 01076nam a22002531i 4500 001 991003758139707536 005 20040604114314.0 008 040802s1925 fr a||||||||||||||||fre 035 $ab13123518-39ule_inst 035 $aARCHE-107612$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a769 100 1 $aBayard, Émile$0428357 245 12$aL'art de reconnaître les gravures anciennes :$bouvrage orné de cent illustrations et de cinq planches de marques et monogrammes /$cÉmile Bayard 260 $aParis :$bErnest Gründ,$c1925 300 $a332 p. :$bill. ;$c19 cm 440 0$aGuides pratiques de l'amateur et du collectionneur d'art 650 4$aIncisioni 907 $a.b13123518$b02-04-14$c05-08-04 912 $a991003758139707536 945 $aLE002 Fondo Giudici P 1464$g1$iLE002G-15196$lle002$nC. 1$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i13759243$z05-08-04 996 $aArt de reconnaître les gravures anciennes$9308708 997 $aUNISALENTO 998 $ale002$b05-08-04$cm$da $e-$ffre$gfr $h2$i1 LEADER 03269nam 22005055 450 001 9910148636403321 005 20200229105050.0 010 $a0-300-21828-1 010 $a0-300-22392-7 024 7 $a10.12987/9780300223927 035 $a(CKB)3710000000918295 035 $a(MiAaPQ)EBC4728149 035 $a(DE-B1597)540523 035 $a(DE-B1597)9780300223927 035 $a(OCoLC)1143805914 035 $a(PPN)224542516 035 $a(EXLCZ)993710000000918295 100 $a20200229h20172017 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe New Space $eMovement and Experience in Viennese Modern Architecture /$fChristopher Long 210 1$aNew Haven, CT : $cYale University Press, $d[2017] 210 4$d©2017 215 $a1 online resource (263 pages) $cillustrations, portrait 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tINTRODUCTION -- $tCHAPTER ONE. The Essence of Architectural Creation -- $tCHAPTER TWO. Thoughts on Designing a Ground Plan -- $tCHAPTER THREE. Raumplan and Movement -- $tCHAPTER FOUR. The Possibilities of Nonorthogonality -- $tCHAPTER FIVE. Domesticating the Raumplan -- $tCHAPTER SIX. Experiments in Volume and Movement -- $tCHAPTER SEVEN. The Punctuated Path -- $tCHAPTER EIGHT. The House as Path and Place -- $tCHAPTER NINE. The Apotheosis of Raumplan and Path -- $tCHAPTER TEN. Accidental Space -- $tCODA -- $tAPPENDIX / $rStrnad, Oskar / Kulka, Heinrich / Frank, Josef -- $tNOTES -- $tBIBLIOGRAPHY -- $tINDEX 330 $aScholars have long stressed the problem of ornament and expression when considering Viennese modernism. By the first decade of the 20th century, however, the avant-garde had shifted its focus from the surface to the interior. Adolf Loos (1870-1933), together with Josef Frank (1885-1967) and Oskar Strnad (1879-1935), led this generation of architects to interpret modernism through culture and lifestyle. They were interested in the experience of architectural space: how it could be navigated, inhabited, and designed to reflect the modern way of life while also offering respite from it.The New Space traces the theoretical conversation about space carried out in the writings and built works of Loos, Frank, and Strnad over four decades. The three ultimately explored what Le Corbusier would later-independently-term the architectural promenade. Lavishly illustrated with new photography and architectural plans, this important book enhances our understanding of the development of modernism and of architectural theory and practice. 606 $aArchitecture$zAustria$zVienna$xHistory 606 $aModernism movement (Architecture)$zAustria$zVienna 607 $aAustria$zVienna$2fast 607 $aWien$2gnd 615 0$aArchitecture$xHistory. 615 0$aModernism movement (Architecture) 676 $a720.9436/13 700 $aLong$b Christopher, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01233472 702 $aThaler$b Wolfgang 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910148636403321 996 $aThe New Space$92864736 997 $aUNINA