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100 1 $aD'Ippolito, Bianca Maria$062893
245 12$aL'invisibile potenza del sentire :$bDescartes, Leibniz /$cBianca Maria D'Ippolito
264  4$aMilano :$bFrancoAngeli,$cc2012
300   $a282 p. ;$c23 cm
490 0 $aCultura, scienza e società ;$v42
504   $aContiene riferimenti bibliografici
600 10$aDescartes, René
600 10$aLeibniz, Gottfried Wilhelm
650  4$aConcetto
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100   $a20180706d2013      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCinema as weather $estylistic screens and atmospheric change /$fKristi McKim
205   $a1st ed.
210   $aNew York $cRoutledge$d2013
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (231 p.)
225 1 $aRoutledge advances in film studies ;$v22
300   $aDescription based upon print version of record.
311 08$a1-138-92218-8 
311 08$a0-415-89412-3 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Revealing skies and screens: the confluence of weather and cinema -- The cinematic history of weather, and the history of cinematic weather -- Interiority and exteriority: cinematic weather as plot and effect -- Cinematic rain -- Cinematic snow -- Cinematic sunlight and seasons -- Conclusion.
330   $aHow do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies.Building upon meteorolog
410  0$aRoutledge advances in film studies ;$v22.
606   $aWeather in motion pictures
606   $aNature in motion pictures
615  0$aWeather in motion pictures.
615  0$aNature in motion pictures.
676   $a791.43/66
700   $aMcKim$b Kristi$f1977-,$01877164
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906   $aBOOK
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