LEADER 01684nam a2200385 i 4500 001 991003650869707536 005 20020509125750.0 008 970102s1996 it ||| | ita 020 $a8879491113 035 $ab11193426-39ule_inst 035 $aPARLA185836$9ExL 040 $aDip. di Filol. Class. e di Scienze Filosofiche$bita 082 0 $a121.68 082 0 $a190 100 1 $aCaputo, Cosimo <1953- >$0251624 245 10$aMateria signata :$bsulle tracce di Hjemslev, Humboldt e Rossi-Landi /$cCosimo Caputo ; introduzione di Augusto Ponzio 260 $aBari :$bLevante,$c1996 300 $a167 p. ;$c22 cm. 440 2$aI problemi della scienza ;$v2 650 4$aFilosofia del linguaggio 650 4$aHjelmslev, Louis Trolle 650 4$aHumboldt, Wilhelm : von 650 4$aRossi-Landi, Ferruccio 650 4$aSemiotica 700 1 $aPonzio, Augusto 907 $a.b11193426$b23-02-12$c28-06-02 912 $a991003650869707536 945 $aLE007 190 CAP 11$g1$i2007000033128$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11342791$z28-06-02 945 $aLE007 190 CAP 11$g2$i2007000033135$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11342808$z28-06-02 945 $aLE005 MF 48 I 14$g1$i2005000230981$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11342821$z28-06-02 945 $aLE005 FONDO SEMERARO 643$g1$i2005000195761$lle005$o-$pE10.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i15010296$z05-10-09 945 $aLE022 121 CAP01.01$g1$i2022000012089$lle022$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i1134281x$z28-06-02 996 $aMateria signata$9137629 997 $aUNISALENTO 998 $a(2)le007$a(2)le005$ale022$b01-01-97$cm$da $e-$fita$git $h0$i5 LEADER 02804nam 2200673 a 450 001 9910789501903321 005 20230607231011.0 010 $a1-283-20585-8 010 $a9786613205858 010 $a1-4411-4330-0 035 $a(CKB)2670000000106897 035 $a(EBL)742906 035 $a(OCoLC)741690793 035 $a(SSID)ssj0000520981 035 $a(PQKBManifestationID)12215135 035 $a(PQKBTitleCode)TC0000520981 035 $a(PQKBWorkID)10530203 035 $a(PQKB)11343777 035 $a(MiAaPQ)EBC742906 035 $a(Au-PeEL)EBL742906 035 $a(CaPaEBR)ebr10487995 035 $a(CaONFJC)MIL320585 035 $a(OCoLC)893335768 035 $a(EXLCZ)992670000000106897 100 $a20010830d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe art of frenzy$b[electronic resource] $epublic madness in the visual culture, 1500-1850 /$fJane Kromm 210 $aLondon ;$aNew York $cContinuum$d2002 215 $a1 online resource (302 p.) 300 $aDescription based upon print version of record. 311 $a0-8264-5641-3 320 $aIncludes bibliographical references and index. 327 $aCONTENTS; Illustrations; Introduction; 1 Mania in the classical tradition: a madness of warrior-heroes and tyrants; 2 The unmaking of heroic mania; 3 The politics of mania; 4 Mania, riot, and revolution; 5 The measure of mania; 6 Mania and hysteria; Bibliography; Index 330 $aThe Art of Frenzy presents a masterful analysis of public madness from the Renaissance to the Industrial Age. Frenzy--the most flagrant and political form of madness--is the madness of warrior-heroes, kings, scolds, and the possessed. Its representation incorporates a range of traditional characters and figures, from Hercules and Orlando to Medea and Britannia. Understood as abusive power and belligerence out of control, and described in terms drawn equally from definitions of tyranny and liberty, frenzy has always been articulated with a significant degree of political meaning. Integrating ar 606 $aMania$zEurope$xHistory 606 $aPsychiatry$zEurope$xHistory 606 $aMental illness in art 606 $aArt$y16th century 606 $aArt, Modern$y17th century 606 $aArt, Modern$y18th century 615 0$aMania$xHistory. 615 0$aPsychiatry$xHistory. 615 0$aMental illness in art. 615 0$aArt 615 0$aArt, Modern 615 0$aArt, Modern 676 $a616.89/0094 700 $aKromm$b Jane$f1949-$01487815 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789501903321 996 $aThe art of frenzy$93707857 997 $aUNINA