LEADER 02095nam 2200397 n 450 001 996392416303316 005 20200824121024.0 035 $a(CKB)4940000000103842 035 $a(EEBO)2240855900 035 $a(UnM)99848639e 035 $a(UnM)99848639 035 $a(EXLCZ)994940000000103842 100 $a19920114d1634 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 04$aThe gentlemans exercise$b[electronic resource] $eOr, an exquisite practise, as well for drawing all manner of beasts in their true portraitures: as also the making of all kinds of colours, to be vsed in limming, painting, tricking, and blaxon of coates, and armes, with divers other most delightfull and pleasurable observations, for all young gentlemen and others. As also serving for the necessary use and generall benefit of diuers trades-men and artificers, as namely painters, ioyners, free-masons, cutters and carvers, &c. for the farther gracing, beautifying, and garnishing of all their absolute and worthy pieces, either for borders, architects, or columnes, &c. By Henry Peacham Master of Artes 210 $aLondon $cPrinted [by J. Legat] for I. M[arriott] and are to bee sold be Francis Constable at the signe of the Crane in Pauls Church-yard$d1634 215 $a[8], 172 p. $cill 300 $aOriginally published in 1612 as: Graphice. 300 $aPrinter's name and publisher's full name from STC. 300 $aAlso published as Part 2 of: The compleat gentleman.., 1634. 300 $aSome copies have variant imprint: for I.M., sold by F. Constable, 1634; both at Harvard. 300 $aSignatures: A-X? Y² . 300 $aReproduction of the original in the University of Illinois (Urbana-Champaign Campus). Library. 330 $aeebo-0167 606 $aDrawing$y17th century 615 0$aDrawing 700 $aPeacham$b Henry$f1576?-1643?$01001997 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996392416303316 996 $aThe gentlemans exercise$92397925 997 $aUNISA LEADER 01130cam a2200277 4500 001 991003536109707536 008 080408s 000 0 eng d 020 $a0520047885 035 $ab13711428-39ule_inst 040 $aDip.to Filol. Ling. e Lett.$bita 082 00$a700/.1 100 1 $aUspensky, Boris$0628220 240 10$aPoçetika kompoziëtìsii.$lEnglish$954680 245 12$aA poetics of composition;$bthe structure of the artistic text and typology of a compositional form$c[by] Boris Uspensky. Translated by Valentina Zavarin and Susan Wittig 260 $aBerkeley,$bUniversity of California Press$c[c1973] 300 $axvii, 181 p.$bill.$c24 cm. 500 $aTraduzione di Poçetika kompoziëtìsii 504 $aInclude bibliografia 650 4$aArte 650 4$aComposizione (Arte) 907 $a.b13711428$b02-04-14$c08-04-08 912 $a991003536109707536 945 $aLE008 FL.M. (IN) P 130$g1$i2008000295998$lle008$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i14714802$z08-04-08 996 $aPoçetika kompoziëtìsii$954680 997 $aUNISALENTO 998 $ale008$b08-04-08$cm$da $e-$feng$gcau$h2$i0