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200 10$aArt and adaptability $econsciousness and cognitive culture /$fby Gregory F. Tague
210  1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cBrill Rodopi,$d2018.
210  4$d©2018
215   $a1 online resource (216 pages) $cillustrations
225 1 $aConsciousness, Literature and the Arts,$x1573-2193 ;$vVolume 52
311   $a90-04-35452-2 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: Setting Boundaries -- Intelligence: Communication and Theory of Mind -- Culture: The Adapted Mind -- Adaptive Functions: Selection and the Human Psyche -- Objections: Philosophy and Byproducts -- Neurobiology and Cognition: Consciousness and Representation -- Conclusion: The Arts and Sciences.
330   $aArt and Adaptability argues for a co-evolution of theory of mind and material/art culture. The book covers relevant areas from great ape intelligence, hominin evolution, Stone Age tools, Paleolithic culture and art forms, to neurobiology. We use material and art objects, whether painting or sculpture, to modify our own and other people?s thoughts so as to affect behavior. We don?t just make judgments about mental states; we create objects about which we make judgments in which mental states are inherent. Moreover, we make judgments about these objects to facilitate how we explore the minds and feelings of others. The argument is that it?s not so much art because of theory of mind but art as theory of mind.
410  0$aConsciousness, literature & the arts ;$vVolume 52.
606   $aConsciousness
606   $aArts$xPsychological aspects
615  0$aConsciousness.
615  0$aArts$xPsychological aspects.
676   $a153
700   $aTague$b Gregory F.$01488002
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