LEADER 01081nam a2200265 i 4500 001 991003415349707536 005 20020503191732.0 008 940309s1951 us ||| | eng 035 $ab10502130-39ule_inst 035 $aEXGIL120426$9ExL 040 $aBiblioteca Interfacoltà$bita 100 1 $aBroughton, Thomas Robert Shannon$0465712 245 14$aThe magistrates of the roman Republic /$cby T.Robert S. Broughton ; with the collaboration of Marcia L. Patterson 260 $aNew York :$bAmerican philological Society,$c1951-1952 300 $a2 v. ;$c24 cm. 490 0 $aPhilological monographs ;$v15 500 $a1 : 509 B.C. - 100 B.C. ; 2 : 99 B.C. - 31 B.C. 650 4$aMagistrature romane 700 1 $aPatterson, Marcia L. 907 $a.b10502130$b21-02-17$c27-06-02 912 $a991003415349707536 945 $aLE002 Fondo Brown 47/I-II$g1$iLE002-6778N-6779N$lle002$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i10578973$z27-06-02 996 $aMagistrates of the roman Republic$9211960 997 $aUNISALENTO 998 $ale002$b01-01-94$cm$da $e-$feng$gus $h4$i1 LEADER 00970nam0 22002531i 450 001 UON00223364 005 20231205103425.96 010 $a52-01-00528-4 100 $a20030730d1999 |0itac50 ba 101 $arus 102 $aRU 105 $a|||| ||||| 200 1 $a Vermacht u vorot Moskvy$e1941-1942$fMifu Myagkov 210 $aMoskva$d1999. 303 p. ; 23 cm. 316 $aprezzo complessivo all'inv. 35504$5IT-UONSI VIII EX SOFC/0032 606 $aMOSCA$xSTORIA$3UONC040948$2FI 620 $aRU$dMoskva$3UONL003152 700 1$aMYAGKOV$bMifu$3UONV135391$0685877 801 $aIT$bSOL$c20241213$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00223364 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI VIII EX SOF C 0032 $eSI SC 35509 5 0032 prezzo complessivo all'inv. 35504$sBuono 996 $aVermacht u vorot Moskvy$91268574 997 $aUNIOR LEADER 04702nam 22006375 450 001 9910592984603321 005 20251009103149.0 010 $a9783031074028$b(electronic bk.) 010 $z9783031074011 024 7 $a10.1007/978-3-031-07402-8 035 $a(MiAaPQ)EBC7084581 035 $a(Au-PeEL)EBL7084581 035 $a(CKB)24819542900041 035 $a(DE-He213)978-3-031-07402-8 035 $a(EXLCZ)9924819542900041 100 $a20220910d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDante and the Mediterranean Comedy $eFrom Muslim Spain to Post-Colonial Italy /$fby Andrea Celli 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (284 pages) 225 1 $aThe New Middle Ages,$x2945-5944 311 08$aPrint version: Celli, Andrea Dante and the Mediterranean Comedy Cham : Springer International Publishing AG,c2022 9783031074011 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: A Mediterranean Comedy -- Part I. History of Criticism -- 2. A Post-Colonial Comedy: Enrico Cerulli on Dante -- 3. Beyond Good and Evil? More on Cerulli and Italian Orientalism -- Part II. Exercises in Criticism -- 4. Exposing Maometto?s Contrapasso: The Arabic Sources from Spain and the Early Commentators on the Commedia -- 5. A Transreligious Hell: Dante in the Prisons of the Inquisition in Palermo -- 6. The City Lament: Mediterranean Microecologies of Courtly Love -- 7. Conclusion: A Sea of Differences. 330 $a?Celli?s work stands at the forefront of a new generation of scholars who seek to revise fundamentally our understanding of Dante, and literary works more generally, in terms of the broader Mediterranean world and across religious traditions and historical eras. The originality of Celli?s approach cannot be overstated, and indeed it renders difficult any attempt to confine him to a specific disciplinary category.? ?William Caferro, Gertrude Conaway Vanderbilt Professor of History, Vanderbilt University ?One of the most notable aspects of Celli?s scholarship, at work in this book, is the ease with which he moves from the most minute detail to the large picture. Or rather, he is remarkably adept at showing how the smallest action-such as an anonymous reader?s substituting a word in the margin of a printed obituary-can expose what is at stake not only across someone?s academic career but also across distinct disciplines and historical time periods.? ?Jo Ann Cavallo, Professor of Italian, Columbia University In recent decades the concept of Mediterranean has been cited with increasing frequency in relation to the study of medieval literatures. And yet, in what sense would Dante?s Comedy be ?Mediterranean?? Is it because of its Greek-Arabic and Islamic sources? Dante and the Mediterranean Comedy analyzes the ideological function of references to the sea in the study of the Comedy undertaken by Enrico Cerulli, a scholar of Somali-Ethiopian languages, and a colonial governor of ?Italian East Africa.? Then it presents novel lines of inquiry on the reception and appropriation of the poem, such as the presence of Islamic sources in early commentaries of the Comedy, and cross-cultural allusions to Dante?s Hell in some graffiti on the walls of the Spanish Inquisition prison in Palermo. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic. Andrea Celli is Associate Professor of Italian and Mediterranean Studies at the University of Connecticut, USA. 410 0$aThe New Middle Ages,$x2945-5944 606 $aLiterature, Medieval 606 $aEuropean literature 606 $aEurope$xHistory$x476-1492 606 $aIslam$xStudy and teaching 606 $aMedieval Literature 606 $aEuropean Literature 606 $aHistory of Medieval Europe 606 $aIslamic Studies 615 0$aLiterature, Medieval. 615 0$aEuropean literature. 615 0$aEurope$xHistory$x476-1492. 615 0$aIslam$xStudy and teaching. 615 14$aMedieval Literature. 615 24$aEuropean Literature. 615 24$aHistory of Medieval Europe. 615 24$aIslamic Studies. 676 $a851.1 676 $a851.1 700 $aCelli$b Andrea$0592633 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910592984603321 996 $aDante and the Mediterranean Comedy$92914251 997 $aUNINA