LEADER 03492nam 2200625Ia 450 001 9910461905503321 005 20200520144314.0 010 $a1-4571-8465-6 010 $a1-283-74252-7 010 $a0-87421-890-X 035 $a(CKB)2670000000276479 035 $a(EBL)1053912 035 $a(OCoLC)818734127 035 $a(SSID)ssj0000755737 035 $a(PQKBManifestationID)11407892 035 $a(PQKBTitleCode)TC0000755737 035 $a(PQKBWorkID)10731994 035 $a(PQKB)11234128 035 $a(MiAaPQ)EBC3442899 035 $a(MdBmJHUP)muse24479 035 $a(MiAaPQ)EBC1053912 035 $a(Au-PeEL)EBL3442899 035 $a(CaPaEBR)ebr10622547 035 $a(CaONFJC)MIL405502 035 $a(Au-PeEL)EBL1053912 035 $a(EXLCZ)992670000000276479 100 $a20120816d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFolk culture in the digital age$b[electronic resource] $ethe emergent dynamics of human interaction /$fedited by Trevor J. Blank 210 $aLogan $cUtah State University Press$dc2012 215 $a1 online resource (278 p.) 300 $aDescription based upon print version of record. 311 $a0-87421-889-6 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Brief Word on QR Codes; Introduction: Pattern in the Virtual Folk Culture of Computer-Mediated Communication - Trevor J. Blank; 1. How Counterculture Helped Put the "Vernacular" in Vernacular Webs - Robert Glenn Howard; 2. Netizens, Revolutionaries, and the Inalienable Right to the Internet - Tok Thompson; 3. Performance 2.0: Observations toward a Theory of the Digital Performance of Folklore - Anthony Bak Buccitelli; 4. Real Virtuality: Enhancing Locality by Enacting the Small World Theory - Lynne S. McNeill 327 $a5. Jokes on the Internet: Listing toward Lists - Elliott Oring6. The Jewish Joke Online: Framing and Symbolizing Humor in Analog and Digital Culture - Simon J. Bronner; 7. From Oral Tradition to Cyberspace: Tapeworm Diet Rumors and Legends - Elizabeth Tucker; 8. Love and War and Anime Art: An Ethnographic Look at a Virtual Community of Collectors - Bill Ellis; 9. Face-to-Face with the Digital Folk: The Ethics of Fieldwork on Facebook - Montana Miller; References; About the Contributors; Index 330 $aSmart phones, tablets, Facebook, Twitter, and wireless Internet connections are the latest technologies to have become entrenched in our culture. Although traditionalists have argued that computer-mediated communication and cyberspace are incongruent with the study of folklore, Trevor J. Blank sees the digital world as fully capable of generating, transmitting, performing, and archiving vernacular culture. Folklore in the Digital Age documents the emergent cultural scenes and expressive folkloric communications made possible by digital "new media" technologies.New media is cha 606 $aFolklore and the Internet 606 $aFolklore$xComputer network resources 608 $aElectronic books. 615 0$aFolklore and the Internet. 615 0$aFolklore$xComputer network resources. 676 $a398.20285 701 $aBlank$b Trevor J$0801351 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461905503321 996 $aFolk culture in the digital age$92442106 997 $aUNINA LEADER 00912nam a22002411i 4500 001 991003380479707536 005 20040404152828.0 008 040802s1924 fr |||||||||||||||||fre 035 $ab1306650x-39ule_inst 035 $aARCHE-101911$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a928 100 1 $aBrousson, Jean Jacques$0489086 245 10$aAnatole France en pantoufles /$cJean-Jacques Brousson 260 $aParis :$bG. Cres,$c1924 300 $aII, 378 p. ;$c18 cm 600 14$aFrance, Anatole$vBiografia 907 $a.b1306650x$b02-04-14$c05-08-04 912 $a991003380479707536 945 $aLE002 Fondo Giudici D 1108$g1$i2002000225375$lle002$nC. 1$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i13693360$z05-08-04 996 $aAnatole France en pantoufles$9291810 997 $aUNISALENTO 998 $ale002$b05-08-04$cm$da $e-$ffre$gfr $h0$i1