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040   $aBibl. Interfacoltà T. Pellegrino$bita
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100 1 $aCognigni, Cecilia$0477072
245 10$aCome progettare le attività culturali della biblioteca /$cCecilia Cognigni
260   $aMilano :$bBibliografica,$c2016
300   $a71 p. ;$c15 cm
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200 10$aMapping Irish theatre $etheories of space and place /$fChris Morash and Shaun Richards$b[electronic resource]
205   $a1st ed.
210  1$aCambridge :$cCambridge University Press,$d2013.
215   $a1 online resource (xi, 216 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a1-316-63958-4 
311   $a1-107-03942-8 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- 1. Making space -- 2. Staging place -- 3. Spaces of modernity and modernism -- 4. The calamity of yesterday -- 5. The fluorescence of place -- 6. Theatre of the world -- 7. Theatre of the street -- Conclusion: spectral spaces.
330   $aSeamus Heaney once described the 'sense of place' generated by the early Abbey theatre as the 'imaginative protein' of later Irish writing. Drawing on theorists of space such as Henri Lefebvre and Yi-Fu Tuan, Mapping Irish Theatre argues that theatre is 'a machine for making place from space'. Concentrating on Irish theatre, the book investigates how this Irish 'sense of place' was both produced by, and produced, the remarkable work of the Irish Revival, before considering what happens when this spatial formation begins to fade. Exploring more recent site-specific and place-specific theatre alongside canonical works of Irish theatre by playwrights including J. M. Synge, Samuel Beckett and Brian Friel, the study proposes an original theory of theatrical space and theatrical identification, whose application extends beyond Irish theatre, and will be useful for all theatre scholars.
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