LEADER 03127nam 2200625 a 450 001 9910461416003321 005 20200520144314.0 010 $a1-283-86471-1 010 $a0-8135-5196-X 024 7 $a10.36019/9780813551968 035 $a(CKB)2670000000151163 035 $a(EBL)860792 035 $a(OCoLC)777375530 035 $a(SSID)ssj0000611497 035 $a(PQKBManifestationID)11445567 035 $a(PQKBTitleCode)TC0000611497 035 $a(PQKBWorkID)10666064 035 $a(PQKB)11585539 035 $a(MiAaPQ)EBC860792 035 $a(OCoLC)785785241 035 $a(MdBmJHUP)muse17478 035 $a(DE-B1597)529271 035 $a(DE-B1597)9780813551968 035 $a(Au-PeEL)EBL860792 035 $a(CaPaEBR)ebr10535573 035 $a(CaONFJC)MIL417721 035 $a(EXLCZ)992670000000151163 100 $a20110111d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe cinematic footprint$b[electronic resource] $elights, camera, natural resources /$fNadia Bozak 210 $aNew Brunswick, N.J. $cRutgers University Press$d2012 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a0-8135-5138-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Energy -- Resource -- Extraction -- Excess -- Waste -- Conclusion. 330 $aFilm is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today?s ?green? movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the ?hydrocarbon imagination? has been central to the development of film as a medium. Nadia Bozak?s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media?with examples ranging from early cinema to Dziga Vertov?s prescient eye, from Chris Marker?s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them. 606 $aMotion picture industry$xEnvironmental aspects 606 $aMotion pictures$xProduction and direction$xEnvironmental aspects 608 $aElectronic books. 615 0$aMotion picture industry$xEnvironmental aspects. 615 0$aMotion pictures$xProduction and direction$xEnvironmental aspects. 676 $a791.43/09 700 $aBozak$b Nadia$01048682 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461416003321 996 $aThe cinematic footprint$92477131 997 $aUNINA LEADER 01197nam a2200277 i 4500 001 991003321299707536 005 20020509120119.0 008 010704s1980 it ||| | ita 035 $ab11143666-39ule_inst 035 $aPARLA179624$9ExL 040 $aDip.to Filosofia$bita 082 0 $a371.92 111 2 $aFebbraio pedagogico bolognese$n<16. ;$d1977 ;$cBologna>$0540019 245 12$aL'integrazione degli handicappati attraverso la scuola di base :$bfebbraio pedagogico bolognese, 1977 /$ca cura di Andrea Canevaro, Emanuela Cocever Canevaro, Franca Marchesi Reggiani 260 $aBologna :$bCappelli,$c1980 300 $a255 p. ;$c21 cm. 490 0 $aCollana di pedagogia e scienze dell'educazione 650 4$aFanciulli anormali$xEducazione$xCongressi$y1977 700 1 $aCanevaro, Andrea 700 1 $aCanevaro Cocever, Emanuela 907 $a.b11143666$b23-02-17$c28-06-02 912 $a991003321299707536 945 $aLE005IF XL D 23$g1$i2005000197390$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i1128402x$z28-06-02 996 $aIntegrazione degli handicappati attraverso la scuola di base$9871417 997 $aUNISALENTO 998 $ale005$b01-01-01$cm$da $e-$fita$git $h2$i1