LEADER 05927nam 2200733Ia 450 001 9910964259903321 005 20200520144314.0 010 $a9786612155307 010 $a9781282155305 010 $a128215530X 010 $a9789027293183 010 $a902729318X 035 $a(CKB)1000000000534986 035 $a(OCoLC)427506770 035 $a(CaPaEBR)ebrary10146763 035 $a(SSID)ssj0000132075 035 $a(PQKBManifestationID)11142509 035 $a(PQKBTitleCode)TC0000132075 035 $a(PQKBWorkID)10028982 035 $a(PQKB)11142527 035 $a(MiAaPQ)EBC622394 035 $a(Au-PeEL)EBL622394 035 $a(CaPaEBR)ebr10146763 035 $a(CaONFJC)MIL215530 035 $a(iGPub)JOBE0001591 035 $a(DE-B1597)720675 035 $a(DE-B1597)9789027293183 035 $a(EXLCZ)991000000000534986 100 $a20060912d2006 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCreative compounding in English $ethe semantics of metaphorical and metonymical noun-noun combinations /$fReka Benczes 205 $a1st ed. 210 $aAmsterdam ;$aPhiladelphia $cJohn Benjamins Pub. Co.$dc2006 215 $a1 online resource (223 p.) 225 1 $aHuman cognitive processing,$x1387-6724 ;$vv. 19 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9789027223739 311 08$a9027223734 320 $aIncludes bibliographical references and index. 327 $aCreative Compounding in English -- Editorial page -- Title page -- LCC data -- dedication page -- Contents -- Acknowledgements -- List of figures -- List of tables -- Notation -- Abbreviations -- 1. Introduction and some basic concepts -- 1.1. Scope of this study -- 1.2. What is a compound? -- 1.3. Endocentric and exocentric compounds -- 1.4. Nonce words and neologisms -- 1.5. The data -- 1.6. Structure of the book -- I. Theory and past approaches -- 2. Descriptivists, transformationalists and alternative theories -- 2.1. Descriptivist approaches -- 2.2. Analyses within the transformationalist/generativist framework -- 2.3. Alternative approaches -- 2.4. Summary -- 3. Cognitive linguistics -- 3.1. Establishing a new linguistic philosophy -- 3.2. The Langackerian system of grammar -- 3.3. Conceptual metaphor -- 3.4. Conceptual metonymy -- 3.5. Blending -- 3.6. Methodology -- 3.7. Summary -- 4. Compositionality and transparency -- 4.1. Contested concepts -- 4.2. Idiomaticity -- 4.3. Storage versus computation? -- 4.4. Summary -- II. Analysing creative compounds -- 5. Metaphor-based compounds -- 5.1. Metaphor-based modifier -- 5.2. Metaphor-based profile determinant -- 5.3. Double metaphorical processing: metaphor-based modifier and profile determinant -- 5.4. Summary -- 6. Metaphor-based semantic relation between the constituents of the compound -- 6.1. Image metaphors -- 6.2. Monsters and zombies -- 6.3. Personification: bandit sign -- 6.4. Single-scope blends -- 6.5. Double-scope blends -- 6.6. Summary -- 7. Metonymy-based compounds -- 7.1. Metonymy-based modifier -- 7.2. Metonymy-based profile determinant -- 7.3. Double metonymical processing: metonymy-based modifier and profile determinant -- 7.4. The compound as a whole is metonymical -- 7.5. Metonymy-based relation between the two constituents of the compound -- 7.6. Summary. 327 $a8. Metaphor- and metonymy-based compounds -- 8.1. Metaphor-based semantic relationship between the constituents of the compound and metonymy-based modifier -- 8.2. Metaphor-based semantic relationship between the constituents of the compound and metonymy-based profile determinant -- 8.3. Metonymy-based modifier and metaphor based profile determinant -- 8.4. Metaphor-based modifier and metonymy-based profile determinant -- 8.5. Summary -- 9. A brief overview and the wider perspective -- 9.1. The results: systematic creativity -- 9.2. Alternative construal and motivation -- 9.3. The wider perspective -- Appendix -- References -- General index -- Metaphor and metonymy index -- The series Human Cognitive Processing. 330 $aMetaphorical and metonymical compounds - novel and lexicalised ones alike - are remarkably abundant in language. Yet how can we be sure that when using an expression such as land fishing in order to speak about metal detecting, the referent will be immediately understood even if the hearer had not been previously familiar with the compound? Accordingly, this book sets out to explore whether the semantics of metaphorical and metonymical noun-noun combinations can be systematically analysed within a theoretical framework, where systematicity pertains to regularities in both the cognitive processes and the products of these processes, that is, the compounds themselves. Backed up by recent psycholinguistic evidence, the book convincingly demonstrates that such compounds are not semantically opaque as it has been formerly claimed: they can in fact be analysed and accounted for within a cognitive linguistic framework, by the combined application of metaphor, metonymy, blending, profile determinacy and schema theory; and represent the creative and associative word formation processes that we regularly apply in everyday language. 410 0$aHuman cognitive processing ;$vv. 19. 606 $aEnglish language$xCompound words 606 $aEnglish language$xNoun phrase 606 $aEnglish language$xSemantics 606 $aMetaphor 615 0$aEnglish language$xCompound words. 615 0$aEnglish language$xNoun phrase. 615 0$aEnglish language$xSemantics. 615 0$aMetaphor. 676 $a428.1 700 $aBenczes$b Reka$0712954 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964259903321 996 $aCreative compounding in English$91326902 997 $aUNINA LEADER 01748nam a2200325 4500 001 991003126279707536 005 20250430125951.0 008 940517s1786 it b 001 0 ita d 035 $ab14284911-39ule_inst 035 $aCICOGNARA-3665$9ExL 040 $aBibl. Interfacoltà T. Pellegrino$bita 100 1 $aPrunetti, Michelangelo.$0548281 245 10$aSaggio pittorico. 260 $aIn Roma :$bper Gio: Zempel,$c1786. 300 $a192 p.; $c12° (17 cm). 500 $aDedicated to: "A Sua Eccellenza, il signor D. Stanislao Sanseverino, amatore delle belle arti". 500 $aDedication signed: Michelangelo Prunetti. 500 $aIncludes index. 500 $aRiproduzione in microfiche dell'originale conservato presso la Biblioteca Apostolica Vaticana 505 0 $aI. Canoni della pittura. -- II. Riflessioni sull'arte critico-pittorica. -- III. Caratteri distintivi delle diverse scuole di pittura, e ristretto critico delle vite dei più valntuomini e loro opere che nelle chiese di Roma esistono. -- IV. Esame analitico dei più celebri quadri delle chiese e delle più rinomate pitture a fresco de' palagj di Roma. 650 0$aPainting$zItaly 650 0$aPainters$xBiography 787 18$iLeopoldo Cicognara Program :$tBiblioteca Cicognara$h[microform] : literary sources in the history of art and kindred subjects 787 18$tCatalogo ragionato dei libri d'arte e d'antichità / Leopoldo Cicognara 907 $a.b14284911$b01-04-22$c28-07-16 912 $a991003126279707536 945 $aLE002 SB Raccolta Cicognara, mcrf 190A$g0$lle002$pE0.00$rn$so $t11$u0$v0$w0$x0$y.i15756208$z28-07-16 996 $aSaggio pittorico$91390434 997 $aUNISALENTO 998 $ale002$b28-07-16$cm$dg $e-$fita$git $h0$i1