LEADER 00781nam0-22003131i-450- 001 990003142030403321 010 $a0-19-878015-X 035 $a000314203 035 $aFED01000314203 035 $a(Aleph)000314203FED01 035 $a000314203 100 $a20000920d1986----km-y0itay50------ba 101 0 $aita 102 $aIT 200 1 $aNew Technology at Work$fArthur Francis. 210 $aOxford$cClarendon Press$d1986. 215 $aVI, 216 p.$d20 cm 676 $aG/1.4 676 $aG/2.10 676 $aG/2.54 702 1$aFrancis,$bArthur 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003142030403321 952 $aG/1.4 FRA$b7475$fSES 959 $aSES 996 $aNew Technology at Work$9455794 997 $aUNINA DB $aING01 LEADER 01115nam a22002531i 4500 001 991003076239707536 005 20040529171045.0 008 040624s1990 gw a||||||||||||||||ger 035 $ab13020742-39ule_inst 035 $aARCHE-097842$9ExL 040 $aDip.to Beni Culturali$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a733.0744 245 00$aPolyklet :$bder Bildhauer der griechischen Klassik : Ausstellung im Liebieghaus, Museum alter Plastik, Frankfurt am Main 260 $aMainz am Rhein :$bvon Zabern,$cc1990 300 $a678 p., 8 p. di tav. :$bill. ;$c29 cm 650 4$aScultura greca$xPolicleto 650 4$aAntichità$zFrancoforte sul Meno$xLiebieghaus Museum Alter Plastik$xEsposizioni$y1990-1991 710 2 $aLiebieghaus Museum Alter Plastik 907 $a.b13020742$b02-04-14$c12-07-04 912 $a991003076239707536 945 $aLE001 AR V 149 4°$g1$i2001000193127$lle001$nC. 1$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13634045$z12-07-04 996 $aPolyklet$9288682 997 $aUNISALENTO 998 $ale001$b12-07-04$cm$da $e-$fger$ggw $h0$i1 LEADER 02512oam 2200469 450 001 9910795643003321 005 20231204184246.0 010 $a0-8130-5883-X 010 $a0-8130-6664-6 035 $a(CKB)5590000000002831 035 $a(OCoLC)1152452221 035 $a(MdBmJHUP)muse92697 035 $a(MiAaPQ)EBC6371152 035 $a(StDuBDS)EDZ0002529978 035 $a(EXLCZ)995590000000002831 100 $a20210416e20212020 fy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFinding Balanchine's lost ballets $eexploring the early choreography of a master /$fElizabeth Kattner ; foreword by Patricia Barker 210 1$aGainesville :$cUniversity Press of Florida,$d2021. 215 $a1 online resource (xviii, 173 pages) $cillustrations 225 1 $aFlorida scholarship online 300 $aPreviously issued in print: 2020. 311 0 $a0-8130-5766-3 320 $aIncludes bibliographical references and index. 327 $aEnvisioning Funeral March -- The Scholar's Conundrum: Should We Reconstruct? -- The Dancer's Discovery: Finding the Steps -- The Puzzle's Picture: Assembling What We Know -- The Missing Pieces: Rechoreographing What We Don't Know -- One Final Note: What We Have Learned -- Appendix I. Summary of George Balanchine's Russian Choreography (1920-1924) 330 8 $a'Finding Balanchine's Lost Ballets' allows the reader to learn about one of the twentieth century's greatest artists in a way that has not before been possible. Balanchine's Russian ballets did not survive in the repertory, but this book demonstrates how some of these lost works need not be relegated to the pages of history but can and should be reconstructed, giving us a vision of our past as artists, scholars, and audiences. The book details the work of setting Balanchine's first group ballet, Funeral March, on the dancers of the Grand Rapids Ballet. It follows this project from archival studies to studio research with the dancers to a final performance. 410 0$aFlorida scholarship online. 606 $aBallets$xStories, plots, etc 615 0$aBallets$xStories, plots, etc. 676 $a792.84 700 $aKattner$b Elizabeth$01479969 702 $aBarker$b Patricia$factive 1988, 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910795643003321 996 $aFinding Balanchine's lost ballets$93696375 997 $aUNINA